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The Undiscovered Country was released on VHS and in widescreen and full screen formats on Laserdisc in June 1992; [78] the release added a few minutes of new footage to the film. [79] Because of a trend in supermarket video sales and rentals, Paramount offered rebates for the home video release of The Undiscovered Country through boxes of ...
The undiscovered country, from whose bourn No traveller returns, puzzles the will, And makes us rather bear those ills we have, Than fly to others that we know not of? Thus conscience does make cowards of us all, And thus the native hue of Resolution Is sicklied o'er, with the pale cast of Thought, And enterprises of great pitch and moment, [F ...
[7] Thomas Glorieux of Maintitles wrote "Star Trek VI: The Undiscovered Country is rightly called the best non Horner / Goldsmith score for a Star Trek motion picture." [ 9 ] Craig Lysy of Movie Music UK wrote "Eidelman correctly interprets the film’s dark narrative, perfectly attenuates his music to the film’s imagery and demonstrates ...
He and Nicholas Meyer co-wrote the script of Star Trek VI: The Undiscovered Country (1991). [2] [1] Flinn also wrote The Fearful Summons (1995), a Star Trek novel. [2] His research work Musical! A Grand Tour – the Rise, Glory and Fall of an American Institution (1997) won an ASCAP Deems Taylor Award.
General Chang is the central antagonist in Star Trek VI: The Undiscovered Country, a feature film released in 1991. [1]Chang, who is portrayed by Christopher Plummer, is Chancellor Gorkon's chief of staff and subsequently serves Chancellor Azetbur in 2293.
Mark David Rosenthal is an American screenwriter and film director.He is also the long-time writing partner of Lawrence Konner.The writing team work together on the films The Legend of Billie Jean, The Jewel of the Nile, Superman IV: The Quest for Peace, and Star Trek VI: The Undiscovered Country, as well as the screenplays for Mona Lisa Smile, Flicka, and Mercury Rising.
His breakthrough composition was the 1991 score to Star Trek VI: The Undiscovered Country. [2] In the years after, Eidelman continued to compose dramatic and epic scores such as Christopher Columbus: The Discovery. [3] As Eidelman's style of composing changed towards more sentimental and minimalistic scores, so did the films for which he scored.
It is set shortly after the motion picture Star Trek VI: The Undiscovered Country. Ambassador Sarek of Vulcan discovers evidence of a complicated plot to cripple the United Federation of Planets; he must work to find out who is behind it while also coming to terms with the death of his human wife, Amanda Grayson.