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According to musicologist Martin Elste, the most frequently recorded cantatas of Bach have been the virtuoso solo cantatas Jauchzet Gott in allen Landen, BWV 50 for soprano and obbligato trumpet, Ich habe genug, BWV 82 for bass (with alternative versions for soprano, alto or mezzo-soprano) and the so-called "Kreuzstab cantata" for solo bass or bass-baritone Ich will den Kreuzstab gerne tragen ...
God's time is the very best time (Actus tragicus) BWV 106; BC B 18 / Sacred cantata (Funeral)) Bach Digital on Bach digital; Cantata BWV 106 – Gottes Zeit ist die allerbeste Zeit (Johann Sebastian Bach) ChoralWiki; Bach Cantata Gottes Zeit (Actus Tragicus) – BWV 106 score Downloadable score (pdf) with modern clefs by atticbooks, 2016; Brian ...
The listing shows recordings of the Mass in B minor, BWV 232, by Johann Sebastian Bach.The selection is taken from the 281 recordings listed on the Bach Cantatas Website as of 2018, beginning with the first recording by a symphony orchestra and choir to match, conducted by Albert Coates.
This is a partial list of commercial or professional recordings of Johann Sebastian Bach's cantata Christ lag in Todes Banden, BWV 4, organized chronologically.. The Bach cantatas fell into obscurity after the composer's death and, in the context of their revival, Christ lag in Todes Banden stands out as being having been recorded early and often; as of 2016, the Bach Cantatas Website lists 77 ...
Darzu ist erschienen der Sohn Gottes (For this the Son of God appeared), [1] BWV 40, is a church cantata by Johann Sebastian Bach.He composed it in 1723, his first year in Leipzig, for the Second Day of Christmas, and first performed it on 26 December that year in both main churches, Thomaskirche and Nikolaikirche.
Gott, man lobet dich in der Stille (God, You are praised in the stillness), [1] BWV 120.1 (previously BWV 120), [2] is a sacred cantata by Johann Sebastian Bach.He composed it in Leipzig for the occasion of Ratswechsel, the inauguration of a new town council in a church service, probably before 1730.
Wachet! betet! betet! wachet! (Watch! Pray! Pray! Watch!) [1] is the title of two church cantatas by Johann Sebastian Bach.He composed a first version, BWV 70a, in Weimar for the second Sunday in Advent of 1716 and expanded it in 1723 in Leipzig to BWV 70, a cantata in two parts for the 26th Sunday after Trinity.
Bach wrote the cantata in his first year in Leipzig for the feast Purification of Mary.The prescribed readings for the feast day were from the book of Malachi, "the Lord will come to his temple" (Malachi 3:1–4), and from the Gospel of Luke, the purification of Mary and the presentation of Jesus at the Temple, including Simeon's canticle Nunc dimittis (Luke 2:22–32).