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In April 2007, Panasonic announced AVC-Intra codec support. The use of AVC-Intra provides production quality HD video at bit rates more normally associated with electronic news gathering applications, permitting full resolution, 10-bit field capture of high quality HD imagery in one piece camera-recorders.
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AVCHD support is available in the Free and Pro versions, however, the free version requires transcoding into a different format upon import of AVCHD files. [64] Microsoft Windows Live Movie Maker 2011 (part of the Windows Live Essentials package) converts to lower resolution for editing and playback, but is capable of exporting in HD.
Uncompressed video is digital video that either has never been compressed or was generated by decompressing previously compressed digital video. It is commonly used by video cameras, video monitors, video recording devices (including general-purpose computers), and in video processors that perform functions such as image resizing, image rotation, deinterlacing, and text and graphics overlay.
In June 1999, George Lucas announced that Episode II of the Star Wars Prequel Trilogy would be the first major motion picture to be shot 100% digitally. Sony and Panavision had teamed up to develop the High Definition 24p camera that Lucas would use to accomplish this, and thus the first CineAlta camera was born: the Sony HDW-F900 (also called the Panavision HD-900F after being "panavised").
Using just one (optional) lens, this camera can take 2D photos, 3D photos, or Full HD movies, simply by changing the mode. The optional lens is a proprietary, 45mm f/1.8 prime lens. The NX300 has two LCD screens in the optical path which are used to "black out" their respective half of the lens, sending a slightly different image to the sensor.
The USB video device class (also USB video class or UVC) is a USB device class that describes devices capable of streaming video like webcams, digital camcorders, transcoders, analog video converters and still-image cameras.
The multiple-camera setup, multiple-camera mode of production, multi-camera or simply multicam is a method of filmmaking, television production and video production. Several cameras—either film or professional video cameras —are employed on the set and simultaneously record or broadcast a scene.
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