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Cave 6 is one of the richest of the Yungang sites. It was constructed between 465 and 494 C.E. by Emperor Xiao Wen. The cave's surface area is approximately 1,000 square meters. The entire interior of the cave is carved and painted. There is a stupa pillar in the center of the room extending from the floor to the ceiling.
The two later halls have a rather unusual arrangement (also found in Cave 10 at Ellora) where the stupa is fronted by a large relief sculpture of the Buddha, standing in Cave 19 and seated in Cave 26. [21] [69] Cave 29 is a late and very incomplete chaitya hall. [82]
Above this cave, is an upper storey with the figures of Buddha. In all, on this hill [Bojjannakonda], there are six rock-cut caves of which some have sculptured panels. Most panels consists of a seated Buddha and attendants. [2], is covered with a large number of rock-cut small stupas forming the shape of a ridge.
Reached by modern, concrete stairs up the face of a cliff, Qianxisi, or Hidden Stream Temple Cave, is a large cave on the northern edge of the west hill. Made during Gaozong's reign (653–80), the cave has a statue of a huge, seated, early Tang Buddha [14] (Amitabha Buddha), flanked by statues of the Bodhisattvas Avalokitesvara and ...
The two later halls have a rather unusual arrangement (also found in Cave 10 at Ellora) where the stupa is fronted by a large relief sculpture of the Buddha, standing in Cave 19 and seated in Cave 26.
The most notable change in this period is the shift in emphasis from the Buddha to the bodhisattvas "shown most dramatically in Cave 191 on the extreme western [cliff] face.... "The middle Ming was a period of revival and restoration [remember this is prime earthquake zone]—the last to make any significant mark on Maijishan before the present ...
The Seated Buddha from Gandhara is an early surviving statue of the Buddha discovered at the site of Jamal Garhi in ancient Gandhara in modern-day Pakistan, that dates to the 2nd or 3rd century AD during the Kushan Empire. Statues of the "enlightened one" were not made until the 1st century CE.
Brandy Yuen's Master of Zen is a rare gem in the realm of martial arts movies. It contains equal parts wuxia -styled martial arts, drama and religious philosophy. Yuen manages to create an action-filled homage to Bodhidharma (known as Tamo in China), the symbolic father of Shaolin wushu while staying true to the figure’s influence on the ...
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