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The Roland MKS-7 Super Quartet, a multi-timbral synth module with dedicated sections for each part, used the same 80017 filter chip as the Juno-106 for the bass section. [ 15 ] In 2015, Roland released the JU-06 sound module, a digital recreation of the Juno-106 using Roland's digital Analog Circuit Behaviour (ACB) technology.
In the 1980s he worked with Chick Corea, Tatsuya Takahashi, and Kazumi Watanabe, as well as leading his own ensemble, Super Quartet. [1] He was also a member of the ensemble Native Son . Starting in the late 1980s, Honda turned increasingly toward composing for film and television, as well as working in record producing.
The Super Quartet Live at Sweet Basil: Paddle Wheel 1987 With Steve Lacy (soprano sax), Reggie Workman (bass), Eddie Moore (drums) 1987 Mal, Dance and Soul: Tutu 1988 With Ed Schuller (bass), John Betsch (drums), Jim Pepper (tenor sax; four tracks) 1988 Evidence: Dark Light 1991 Solo piano 1988 Art of the Duo: Tutu 1989
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The AllMusic review called it "easily one of Louis Hayes' best recordings as a leader," stating that "this quartet session ... almost has the flavor of a typical Art Blakey & the Jazz Messengers album; although there's no brass, the selections and the hard bop arrangements generally fit".
The Super Quartet (Timeless, 1994) With Blue Mitchell and Harold Land. Mapenzi (Concord, 1977) With David "Fathead" Newman. Heads Up (Atlantic, 1987) Fire! Live at the Village Vanguard (Atlantic, 1989) With David Murray. Black & Black (Red Baron, 1991) With The Leaders. Mudfoot (Black Hawk, 1986) Out Here Like This (Black Saint, 1987)
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