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The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
The Last Supper has been a popular subject in Christian art. [1] Such depictions date back to early Christianity and can be seen in the Catacombs of Rome. Byzantine artists frequently focused on the Apostles receiving Communion, rather than the reclining figures having a meal. By the Renaissance, the Last Supper was a favorite topic in Italian ...
Leonardo da Vinci's the "Last Supper" is visited by over 460,000 tourists each year, making it one of the top 10 most visited attractions in all of Italy. Here's why.
The Last Supper of Jesus and the Twelve Apostles has been a popular subject in Christian art, [1] often as part of a cycle showing the Life of Christ. Depictions of the Last Supper in Christian art date back to early Christianity and can be seen in the Catacombs of Rome. [2] [3] The Last Supper was depicted both in the Eastern and Western ...
The painting was also exposed to the steam and smoke from the convent's kitchen and from candles used in the refectory itself. [12] By 1582, it was recorded that The Last Supper was "in a state of total ruin." [12] Around 1652, a door was cut into the refectory wall, destroying the area in which Jesus's feet were depicted. [13]
The Last Supper (1445–1450) is a fresco by the Italian Renaissance artist Andrea del Castagno, located in the refectory of the convent of Sant'Apollonia, now the Museo di Cenacolo di Sant'Apollonia, and accessed through a door on Via Ventisette Aprile at the corner with Santa Reparata, in Florence, region of Tuscany.
Here's the controversy surrounding drag queens who allegedly paid homage to "The Last Supper" during the 2024 Olympics Opening Ceremony, and why people are mad. ... Leonardo da Vinci's iconic ...
The Sacrament of the Last Supper is a painting by Salvador Dalí.Completed in 1955, after nine months of work, it remains one of his most popular compositions. Since its arrival at the National Gallery of Art in Washington, D.C. in 1955, it replaced Renoir's A Girl with a Watering Can as the most popular piece in the museum.
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