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[1] Whereas Fourteen Bagatelles is decidedly more difficult for young pianists, this set was planned to serve as an easy contemporary preparation for students. It is, indeed, being used in the intermediate piano repertoire, together with his other set of short pieces, For Children. [2] The set was published a year later, in 1909, by Rozsnyai ...
Béla Bartók's Mikrokosmos (Hungarian: Mikrokozmosz) Sz. 107, BB 105 consists of 153 progressive piano pieces in six volumes, written between 1926 and 1939 [1] and published in 1940. [2] The individual pieces progress from very easy and simple beginner études to very difficult advanced technical displays, and are used in modern piano lessons ...
The Tarantella in A-flat major, Op. 43 is a short piano piece in tarantella form, written by Frédéric Chopin in June 1841 and published in October 1841. [1] It takes about 3 minutes to play. [2] It is a moto perpetuo marked Presto, and requires an advanced technique.
Morceaux de fantaisie (French for Fantasy Pieces; Russian: Пьесы Фантазии, Pyesy Fantazii), op. 3, is a set of five piano solo pieces composed by Sergei Rachmaninoff in 1892. The title reflects the pieces' imagery rather than their musical form, as none are actual fantasies .
The Fantasies (German Fantasien), Op. 116 for solo piano were composed by Johannes Brahms in the Austrian town of Bad Ischl during the summer of 1892. [1] The set consists of seven pieces entitled Capriccio or Intermezzo, though Brahms originally considered using "Notturno" for No. 4 and "Intermezzo" for No. 7. [2]
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[1] [4] The exact inspiration for each ballade, however, needs to be clarified and disputed. Though the ballades do not conform precisely to sonata form , the "ballade form" created by Chopin for his four ballades is a variant of sonata form with specific discrepancies, such as the mirror reprise (presenting the two expositional themes in ...
Dmitry Kabalevsky's Preludes, Op. 38 are a set of 24 piano pieces in the Chopinian model, each based on a folksong and each in a different key.It was composed in 1943–44, and dedicated to Nikolai Myaskovsky, his teacher.
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