Search results
Results from the WOW.Com Content Network
Philippine literature in English has its roots in the efforts of the United States, then engaged in a war with Filipino nationalist forces at the end of the 19th century. By 1901, public education was institutionalized in the Philippines , with English serving as the medium of instruction.
In general, they have argued that the author's intent itself is immaterial and cannot be fully recovered. However, the author's intent will shape the text and limit the possible interpretations of a work. The reader's impression of the author's intent is a working force in interpretation, but the author's actual intent is not. Some critics in ...
Salvador Ponce Lopez (May 27, 1911 – October 18, 1993) was a Filipino writer, journalist, educator, diplomat and statesman.. He studied at the University of the Philippines (UP) and obtained a Bachelor of Arts degree in English in 1931 and a Master of Arts degree in Philosophy in 1933.
Brentano coined the expression "intentional inexistence" to indicate the peculiar ontological status of the contents of mental phenomena. According to some interpreters the "in-" of "in-existence" is to be read as locative, i.e. as indicating that "an intended object ... exists in or has in-existence, existing not externally but in the psychological state" (Jacquette 2004, p. 102), while ...
Francisco Sionil José (December 3, 1924 – January 6, 2022) was a Filipino writer who was one of the most widely read in the English language. [1] [2] A National Artist of the Philippines for Literature, which was bestowed upon him in 2001, José's novels and short stories depict the social underpinnings of class struggles and colonialism in Filipino society. [3]
Simple interest vs. compound interest. Simple interest refers to the interest you earn on your principal balance only. Let's say you invest $10,000 into an account that pays 3% in simple interest ...
In particular, the concept of identification can expand our vision of the realm of rhetoric as more than solely agonistic. To be sure, that is the way we have traditionally situated it: “Rhetoric,” writes Burke, “is par excellence the region of the Scramble, of insult and injury, bickering, squabbling, malice and the lie, cloaked malice and the subsidized lie. . . .
Despite the deprivations, Grateful Life beat jail and it gave addicts time to think. Many took the place and its staff as inspiration. They spent their nights filling notebooks with diary entries, essays on passages from the Big Book, drawings of skulls and heroin-is-the-devil poetry.