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Overtures were popular in 1950s and 1960s Hollywood musicals (particularly those of Rodgers and Hammerstein) but have become less common since. [1] In many cases, these overtures have been cut from TV and video releases and can only be found on "restored" DVD, Blu-ray and Ultra HD Blu-ray versions, if at all.
Coriolan Overture, Op. 62 (1807); based on the story of Coriolanus; Symphony No. 6, Pastoral, Op. 68 (1808); features titled movements, country dances, bird calls, and a storm. Leonore No. 3 Overture, Op. 72b (1806); one of a series of overtures composed for the opera Leonore, later renamed Fidelio. Leonore No. 3 is well known for portraying ...
Franz von Suppé, born Francesco Ezechiele Ermenegildo de Suppé (18 April 1819 – 21 May 1895) was an Austrian composer of light operas and other theatre music. He came from the Kingdom of Dalmatia , Austro-Hungarian Empire (now part of Croatia).
Overture. (Andante con moto in E minor [2] – Allegro in E major and time [3]) (sketched and completed in April 1841) [1] Scherzo. Vivo, in 6 8 time and in C ♯ minor, [4] whose theme is based on that of the overture. [1] It has a trio section in D ♭ major, in contrasting 2 4 time [5] whose material reappears as the coda of the movement. [6 ...
The William Tell Overture is the overture to the opera William Tell (original French title Guillaume Tell), composed by Gioachino Rossini. William Tell premiered in 1829 and was the last of Rossini's 39 operas, after which he went into semi-retirement (he continued to compose cantatas, sacred music and secular vocal music).
An American Overture (originally titled Occasional Overture), Op. 27 is an orchestral composition by Benjamin Britten. It was composed in 1941, while Britten and his life partner, the tenor Peter Pears, lived in the United States. Personal difficulties, global events, and the desire to earn more money goaded Britten to leave England and pursue ...
In its 15 minutes or so the overture gives a lively and colourful musical portrait of Edwardian London. 'Cockaigne' was a term used by moralists at that time as a metaphor for gluttony and drunkenness, while Britain adopted the name humorously for London. The work presents various aspects of turn-of-the-century London and Londoners.
Puck's famous valedictory speech "If we shadows have offended" is accompanied, as day breaks, by the four chords first heard at the very beginning of the overture, bringing the work full circle and to a fitting close. The music was dedicated to a gifted amateur musician friend of Mendelssohn's, Dr Heinrich Conrad Schleinitz. [9]
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