Search results
Results from the WOW.Com Content Network
The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
Leonardo da Vinci's the "Last Supper" is visited by over 460,000 tourists each year, making it one of the top 10 most visited attractions in all of Italy. Here's why.
The following other wikis use this file: Usage on da.wikipedia.org Værker af Leonardo da Vinci; Usage on it.wikipedia.org Studi di Leonardo per il Cenacolo
The Cappella del Santissimo Sacramento has a Last Supper by the elder Tintoretto companied by a copy of Christ washing the feet of the disciples by the same painter. The original is now housed in the National Gallery in London. [1] The Last Supper is shown on the Expo 2015, in the pavilion of the Vatican City. [2]
Albrecht Dürer's woodcut The Last Supper (1523) exemplifies the frontal composition that is customary for this subject. Tintoretto depicted the Last Supper several times during his artistic career. His earlier paintings for the Chiesa di San Marcuola (1547) and for the Chiesa di San Felice (1559) depict the scene from a frontal perspective ...
The Last Supper was almost completely lost on August 16, 1943, at the height of World War II in Italy, [16] when a Royal Air Force bomb struck Santa Maria delle Grazie, destroying the roof of the refectory and demolishing other nearby spaces. [16] The Last Supper had been protected by sandbags, mattresses, and pillows, saving it from ...
The 2024 Paris Olympics officially commenced on July 26 with a star-studded and stunning Opening Ceremony featuring performances by Lady Gaga, Aya Nakamura, and Céline Dion, who made an emotional ...
Shipley Art Gallery version Tintoretto's Last Supper on the left side of the altar at San Marcuola in Venice. The intended place for Christ Washing the Disciples' Feet was on the right side where now is Carlo Ridolfi's copy. The painting was created in 1548/1549 for a church in Venice. [1]