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The augmented scale, also known in jazz theory as the symmetrical augmented scale, [3] is so called because it can be thought of as an interlocking combination of two augmented triads an augmented second or minor third apart: C E G ♯ and E ♭ G B. It may also be called the "minor-third half-step scale", owing to the series of intervals produced.
The two whole-tone scales as a symmetrical partitioning of the chromatic scale; [1] if C=0 then the top stave has even (02468t) and the bottom has odd (13579e) pitches. In music, a whole-tone scale is a scale in which each note is separated from its neighbors by the interval of a whole tone.
Example of Hauer's tropes. [8] Play ⓘ. Allen Forte in The Structure of Atonal Music [9] redefines the term hexachord to mean what other theorists (notably Howard Hanson in his Harmonic Materials of Modern Music: Resources of the Tempered Scale [10]) mean by the term hexad, a six-note pitch collection which is not necessarily a contiguous segment of a scale or a tone row.
The pitch collection is related to the octatonic scale, the whole tone scale, and the French sixth, all of which are capable of a different number of transpositions. [4] For example, the chord is a whole tone scale with one note raised a semitone (the "almost whole-tone" hexachord , sometimes identified as "whole tone-plus"), and this ...
For example, if we choose A as tonic, then we can label the notes of the C major scale using A = 1, B = 2, C = 3, and so on. When we do so, we create a new scale called the A minor scale . See the musical note article for how the notes are customarily named in different countries.
The Raiders dropping from the projected No. 2 pick to the No. 6 pick could have a big-time impact on the draft order. The New England Patriots now sit at No. 2, ...
The H relation (LPL) exchanges a triad for its hexatonic pole (C major and A ♭ minor) [5] Any combination of the L, P, and R transformations will act inversely on major and minor triads: for instance, R-then-P transposes C major down a minor third, to A major via A minor, whilst transposing C minor to E ♭ minor up a minor 3rd via E ♭ major.
“What it really came down to is Alabama is 3-1 against top 25 teams, Miami is 0-1,” committee chair Warde Manuel said on ESPN. “Alabama is 6-1 against teams over .500. Miami is 4-2.