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The music video for "Head over Heels", filmed in late May and into June 1985, was the fourth Tears for Fears clip directed by music video producer Nigel Dick.A lighthearted video in comparison to the band's other promos, it is centred on Roland Orzabal's attempts to get the attention of a librarian (Joan Densmore), while a variety of characters (many played by the rest of the band), including ...
Donnie Darko: Music from the Original Motion Picture Score is a soundtrack album by American musician Michael Andrews, ... "Head over Heels", and "The Killing Moon".
Donnie Darko is a 2001 American science fiction psychological thriller ... The long shots at the school with "Head Over Heels" playing angered the production and line ...
For the soundtrack to the film Donnie Darko (2001), director Richard Kelly commissioned Michael Andrews, a San Diego musician and television and film composer who had worked as a member of a range of bands, including the Origin with Gary Jules (whose two solo albums he had produced), and the Greyboy Allstars. Kelly said he was confident that ...
Songs from the Big Chair is the second studio album by the English band Tears for Fears, released on 25 February 1985 by Mercury Records, distributed by Phonogram Inc. A follow-up to the band's successful debut album, The Hurting (1983), Songs from the Big Chair was a significant departure from that album's dark, introspective synth-pop, featuring a more mainstream, guitar-based pop rock sound ...
The Hurting is the debut studio album by British new wave band Tears for Fears, released on 7 March 1983 by Mercury Records distributed by Phonogram Inc. The album peaked at No. 1 on the UK Albums Chart in its second week of release and was certified Gold by the BPI within three weeks of release.
Scenes from the Big Chair is a documentary film [1] about the British band Tears for Fears.Released on home video in 1985, the 75 minute documentary was made at the height of the band's global success following the release of their multi-platinum selling album Songs from the Big Chair.
[24] AllMusic critic Heather Phares wrote, "By the time Let's Eat Grandma unite the album's different sounds on the exhilarating finale, 'Donnie Darko,' Hollingworth and Walton prove that a few more years under their collective belt haven't tamed their adventurous spirit—if anything, the way they challenge expectations on I'm All Ears is more ...