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A poetry collection is often a compilation of several poems by one poet to be published in a single volume or chapbook. A collection can include any number of poems, ranging from a few (e.g. the four long poems in T. S. Eliot 's Four Quartets ) to several hundred poems (as is often seen in collections of haiku ).
[106] [107] This can be observed across contemporary published poetry in the West as an intensification within individual poets' oeuvres of "all kinds of style, subject, voice, register and form" [108] which replaces, in large measure, the more conventional or traditional search by authors for a singular definitive poetic voice.
Façade is a series of poems by Edith Sitwell, best known as part of Façade – An Entertainment in which the poems are recited over an instrumental accompaniment by William Walton. The poems and the music exist in several versions. Sitwell began to publish some of the Façade poems in 1918, in the literary magazine Wheels. In 1922 many of ...
Goethe and Schiller in front of the Deutsches Nationaltheater and Staatskapelle Weimar, where many of Liszt's symphonic poems premiered. [4]According to cultural historian Hannu Salmi, classical music began to gain public prominence in Western Europe in the latter 18th century through the establishment of concerts by musical societies in cities such as Leipzig and the subsequent press coverage ...
Clapham adds that while Dvořák may follow the narrative complexities of The Golden Spinning Wheel too closely, "the lengthy repetition at the beginning of The Noon Witch shows Dvořák temporarily rejecting a precise representation of the ballad for the sake of an initial musical balance". [30] The fifth poem, Heroic Song, is the only one not ...
Old Possum's Book of Practical Cats (1939) is a collection of whimsical light poems by T. S. Eliot about feline psychology and sociology, published by Faber and Faber. It serves as the basis for Andrew Lloyd Webber's 1981 musical Cats. Eliot wrote the poems in the 1930s and included them, under his assumed name "Old Possum", in letters to his ...
One major exception is the fourth verse of the poem For the Fallen by Laurence Binyon, which is often known as The Ode to the Fallen, or simply as The Ode. W.H. Auden also wrote Ode , one of the most popular poems from his earlier career when he lived in London, in opposition to people's ignorance over the reality of war.
The tone poems of Richard Strauss are noted as the high point of program music in the latter part of the 19th century, extending its boundaries and taking the concept of realism in music to an unprecedented level. In these works, he widened the expressive range of music while depicting subjects many times thought unsuitable for musical depiction.