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"New York '93" from Summer Song "New York After Hours" by Eddie Gale "New York Afternoon" by Richie Cole "New York and Chicago" music by Albert Von Tilzer; lyrics by Junie McCree "New York As A Muse" by Yoko Ono "New York At Night" by Kelly Marie "New York at Night" by Willie Nile "New York Avec Toi" by Téléphone "New York Avenue Bridge" by ...
James Milton Black (19 August 1856 – 21 December 1938) was an American composer of hymns, choir leader and Sunday school teacher. [1]Black was born in South Hill, New York, but worked, lived and died in Williamsport, Pennsylvania.
The song peaked at No. 29 in the United States and No. 32 in the United Kingdom, becoming his final top-40 single in either country. The compilation box set My Lives contains an unfinished demo version of "All About Soul" called "Motorcycle Song". The song became the unofficial theme song of the New York Knicks during their run to the 1994 NBA ...
The Song of the Soul may refer to: The Song of the Soul (1920 film), a silent film drama directed by John W. Noble; The Song of the Soul (1918 film) ...
Bummer Road is a compilation album by the American blues musician Sonny Boy Williamson II, released in 1969. [1] [2] It achieved notoriety due to the inclusion of 11 minutes of studio outtakes related to the track "Little Village", where Williamson and producer Leonard Chess argue about the song. [3]
The song also represented a first for co-writer Norro Wilson: a No. 1 hit as a producer. Wilson had previously written several songs that topped Billboard magazine’s Hot Country Singles chart—notably, David Houston’s “Baby, Baby (I Know You’re a Lady),” and Tammy Wynette’s “He Loves Me All the Way” and “My Man (Understands).”
"Don't Start Me Talkin'" (also called "Don't Start Me to Talkin'") is a blues song written and performed by Sonny Boy Williamson II. It was Williamson's first single recorded for Checker Records , [ 3 ] and reached number three in the US Billboard R&B chart in 1955.
The song was a staple of their early live performances. English group Ten Years After updated the song with a blues-rock arrangement for their 1969 album Ssssh. In an album review, Jim Newsom noted the seven-minute version included "reworked lyrics leaving little doubt as to what the singer had in mind for the title character". [19]