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The waltz has been widely covered and recorded more than 300 times. [6] Ted Gioia notes that in about 20% of cover versions, "Debby" is misspelled as "Debbie." [7] "Waltz for Debby" is known in Swedish by the name "Monicas Vals"; lyrics were written by Beppe Wolgers; and in Finnish by the name "Ankin Valssi"; lyrics were written by Jukka ...
Waltz for Debby is a live album by jazz pianist and composer Bill Evans and his trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian. It was released in 1962. It was released in 1962.
Waltz for Debby is a 1964 album in English and Swedish by the Swedish singer Monica Zetterlund and an American jazz trio led by pianist Bill Evans.Evans met Zetterlund on a tour of Sweden and was "bowled over" by her EP recording of "Waltz for Debby" with a Swedish text titled "Monicas Vals."
These sets, from which the classic LPs Sunday at the Village Vanguard and Waltz for Debby were drawn, were the trio's final live recordings. Bassist Scott LaFaro would die in an automobile accident just 11 days later on July 6.
The result was his debut album, New Jazz Conceptions, featuring the original versions of "Waltz for Debby" and "Five". [9] Eleven songs were recorded in the first session, including Evans' original composition "Waltz for Debby", which would prove to be his most recognized and recorded composition. [27]
Waltz for Debby is the name of: "Waltz for Debby" (song), a 1956 jazz composition by Bill Evans later made into a song; Waltz for Debby, album by Bill Evans; Waltz for Debby, album by Monica Zetterlund and Bill Evans
Waltz for Debby: Live - Trio with Scott LaFaro (b), Paul Motian (d) Riverside 1961–62 Nirvana: Herbie Mann (flute) and Bill Evans Trio with Chuck Israels (b), Paul Motian (d) Atlantic: 1962 Undercurrent: Duo with Jim Hall (guitar) United Artists 1962 Moon Beams: Trio with Chuck Israels (b), Paul Motian (d) Riverside 1962 How My Heart Sings!
This album with Bennett also features a version of Evans's most famous original, "Waltz for Debby," which Bennett had previously recorded in 1964, [11] much to Evans's delight. [12] This is the only time that Evans recorded it with the lyrics by his friend Gene Lees; previously, he had recorded the Swedish version with Monica Zetterlund. [13]
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