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Waltz for Debby is a live album by jazz pianist and composer Bill Evans and his trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian. It was released in 1962. It was released in 1962.
"Waltz for Debby" is a jazz standard composed by pianist Bill Evans, which became "his most famous tune." [ 1 ] He first recorded it as a brief solo piano piece on his debut album, New Jazz Conceptions (1956).
Waltz for Debby is a 1964 album in English and Swedish by the trio of American jazz pianist Bill Evans and the Swedish singer Monica Zetterlund.Evans met her on a tour of Sweden and was "bowled over" by her EP recording of "Waltz for Debby" with a Swedish text titled "Monicas Vals."
The Complete Village Vanguard Recordings, 1961, a three-CD box set released in 2005, marks the first time the entire Bill Evans Trio's complete sets at the Village Vanguard on June 25, 1961, have been released in their entirety (outside of the 12-disc set containing Evans' complete Riverside recordings).
Waltz for Debby is the name of: "Waltz for Debby" (song) , a 1956 jazz composition by Bill Evans later made into a song Waltz for Debby (1962 album) , album by Bill Evans
Waltz for Debby: Singer Monica Zetterlund & trio with Chuck Israels (b), Larry Bunker (d) Philips: 1965 Trio '65: Trio with Chuck Israels (b), Larry Bunker (d) Verve 1965 Bill Evans Trio with Symphony Orchestra: Orchestra conducted by Claus Ogerman and Bill Evans Trio with Chuck Israels (b), Larry Bunker/Grady Tate (d) Verve 1966 Bill Evans at ...
In 1964, she recorded the jazz album Waltz for Debby, featuring Bill Evans, a record she herself described as "the best I've done" [citation needed] and was the most proud of. Her professional skill was amply demonstrated in this album in performing the challenging Harold Arlen song, "So Long, Big Time".
This album with Bennett also features a version of Evans's most famous original, "Waltz for Debby," which Bennett had previously recorded in 1964, [11] much to Evans's delight. [12] This is the only time that Evans recorded it with the lyrics by his friend Gene Lees; previously, he had recorded the Swedish version with Monica Zetterlund. [13]