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Jesus and the woman taken in adultery (or the Pericope Adulterae) [a] is considered by some to be a pseudepigraphical [1] passage found in John 7:53–8:11 [2] of the New Testament. In the passage, Jesus was teaching in the Temple after coming from the Mount of Olives .
The account of the ordeal of bitter water is given in the Book of Numbers: Then Yahweh spoke to Moses, saying, “Speak to the sons of Israel and say to them, ‘If any man’s wife goes astray and is unfaithful to him, and a man lies sexually with her, and it is hidden from the eyes of her husband, and she is undetected; but she has defiled herself, and there is no witness against her, and ...
Jesus clearly identified adultery with sin; however, his statement "Let him who is without sin cast the first stone" did not refer to the precepts of law but to conscience. [21] Some commentators point out that if the woman was caught in adultery, there should also have been a man standing trial. [22]
The subject of the painting is related to the story of Christ and the woman taken in adultery described in the Gospel of John. Siemiradzki's interpretation of the theme is analogous to the motifs of Aleksey Konstantinovich Tolstoy's poem The Sinner, which was popular at the time. [4] The composition of the painting can be divided into two sections.
A Commentary on Textual Additions to the New Testament. Grand Rapids, MI: Kregal Publications, pp. 83-84; That should be 175 characters. :) Or even: that Family 1, a closely related group of Greek New Testament manuscripts place the story of the woman caught in adultery not in chapter 8, but at the end of the Gospel of John as a separate story?
Sotah (Hebrew: סוֹטָה or Hebrew: שׂוֹטָה [1]) is a tractate of the Talmud in Rabbinic Judaism.The tractate explains the ordeal of the bitter water, a trial by ordeal of a woman suspected of adultery, which is prescribed by the Book of Numbers in the Hebrew Bible (Tanakh).
After Indiana pastor John Lowe II revealed he committed adultery nearly 20 years ago, the woman took the pulpit and accused him of taking her virginity at 16.
But the censor did not allow these words to be included in the catalogue, but allowed 'Christ and the woman caught in adultery', because that was the name of other paintings, and then in the museum it was called 'The Prodigal Woman', which was completely contrary to the Gospel story, which clearly says that it is a woman who has sinned.