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Still life with Fruits: Artist Henri Matisse: Year 1915 Creation location Type Oil on canvas Height Width Depth Units cm City Museum/Gallery Staatliche Kunsthalle Karlsruhe: Source flickr: Permission {{{permission}}} Other notes
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.
The work of art itself is in the public domain for the following reason: Public domain Public domain false false The author died in 1941, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 80 years or fewer .
File: Henri Matisse, 1899, Still Life with Compote, Apples and Oranges, oil on canvas, 46.4 x 55.6 cm, The Cone Collection, Baltimore Museum of Art.jpg
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
It features dead birds which are meant to represent mortality and fruits which are meant to convey wealth. These place it between the "ontbijt" ("breakfast piece"), and explicit vanitas pieces. Steenwijck was a still-life specialist. Here the perishable luxury fruits convey wealth, contrasting with the beer, which is the drink of the masses. [1]