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English operetta continued into the 1890s, with works by composers such as Edward German, Ivan Caryll and Sidney Jones. These quickly evolved into the lighter song-and-dance pieces known as Edwardian musical comedy. Beginning in 1907, with The Merry Widow, many of the Viennese operettas were adapted very successfully for the English stage. To ...
The White Horse Inn (or White Horse Inn) (German title: Im weißen Rößl [note 1]) is an operetta or musical comedy by Ralph Benatzky and Robert Stolz in collaboration with a number of other composers and writers, set in the picturesque Salzkammergut region of Upper Austria.
19th-century form of operetta [31] (sometimes referred to as a form of "comic opera" to distance the English genre from the continental) comprising the works of Gilbert and Sullivan and other works from 1877 to 1903 that played at the Opera Comique and then the Savoy Theatre in London. These influenced the rise of musical theatre. Trial by Jury ...
Only a few 19th century musical pieces exceeded the run of the Mikado: The Chimes of Normandy (Les Cloches de Corneville) ran for 705 performances in 1878 in London, and Alfred Cellier and B. C. Stephenson's 1886 hit, Dorothy (a show midway between comic opera and musical comedy), set a new record with 931 performances.
Simultaneously, the genres of light music, operetta, musical comedy, and later, rock opera, were developed by such composers as Isaak Dunayevsky, Dmitri Kabalevsky, Dmitri Shostakovich (Opus 105: Moscow, Cheryomushki, operetta in 3 acts, (1958)), Tikhon Khrennikov, and later by Gennady Gladkov, Alexey Rybnikov and Alexander Zhurbin.
Broadway audiences preferred musical comedy rather than nostalgic operetta and that was what Charell intended to offer. In the opinion of Richard C. Norton, Broadway's White Horse Inn is "closer to the Berlin version in its farcical style". [3] David Freedman was ultimately contracted to prepare the new American libretto. At the time of his ...
The Cambridge Companion to the Musical stated that "although a few of the songs are reflective of the earlier ragtime genre, many are written as art songs, similar to those of Amy Beach, George W. Chadwick, and Reginald De Koven, making The Red Moon more of an operetta than a musical comedy." [23]
Top C's and Tiaras is a television program, featuring operetta and musical comedy, that was broadcast on Channel 4 television in the United Kingdom between April 10, 1983, and June 3, 1984. It featured performers such as Julia Migenes , Marilyn Hill Smith, Peter Morrison and Benjamin Luxon . [ 1 ]
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