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From 1923 to 1940 his paintings were exhibited every year at the Royal Academy in London. The themes of most of his early works are religious. In 1923 two of his best pictures The Triumphal Entry into Jerusalem and the Entombment were considered powerful and dramatic statements of deeply felt religious experiences. [6]
Entry of Christ into Jerusalem was purchased by Mr. and Mrs. Herman C. Krannert in 1958 as a gift for the Herron School of Art, which later evolved, in part, into the IMA. It is currently on view in the William C. Griffith Jr. and Carolyn C. Griffith Gallery and has the accession number 58.3.
Christ's Entry Into Brussels in 1889 (French: L'Entrée du Christ à Bruxelles, "Entry of Christ into Brussels") is an 1888 painting by the Belgian artist James Ensor.The post-Impressionist work, parodying Jesus' triumphal entry into Jerusalem celebrated on Palm Sunday, is considered Ensor's most famous composition and a precursor to Expressionism.
Sister Marie Claire (1937 – 11 February 2018) was a religious sister from Bangalore, India, and an artist with over 750 paintings and works. [1] Her works are especially known for using Indian imagery in Christian scenes. As such, she is one of the few highly known contemporary Indian Christian artists. [2] [3]
Christ's triumphal entry into Jerusalem. Félix Louis Leullier (1811 – 1882 in Paris) was a French painter who painted mostly religious subjects. He studied under the Romantic artist Antoine-Jean Gros .
Gwen John, Welsh artist; after converting, did religious art for a convent [732] David Jones , convert whose works include Sanctus Christus de Capel-y-ffin ; better known as a poet [ 733 ] [ 734 ] Patrick Keely , architect of numerous churches such as St. Mary's Church Complex [ 735 ] [ 736 ]
The two fields of music criticism and religious scholarship come together in his 1200-page volume Encyclopedia of Contemporary Christian Music (Hendrickson, 2000), a critical survey and analysis of artists in both the religious and mainstream markets who have produced faith-oriented products.
The angel who rescues Shadrach, Meshach, and Abednego from the "fiery furnace" in the Book of Daniel Chapter 3 is usually regarded in Christian tradition as Michael; this is sometimes represented in Early Christian art and Eastern Orthodox icons, but rarely in later art of the Western church.