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"Is That All There Is?" is a song written by the American songwriting team Jerry Leiber and Mike Stoller. It became a hit for the American singer Peggy Lee in 1969. The song was originally performed by Georgia Brown in May 1967 for a television special.
The Allmusic review by Alex Henderson awarded the album four and a half stars and commented that. Everything on this LP is a gem ... The LP's centerpiece, however, is Newman's hit arrangement of Leiber & Stoller's title song, which was covered by P.J. Harvey in the 1990s.
All the tracks from Mirrors, including two previously unreleased outtakes, were remixed and included in the limited edition CD, Peggy Lee Sings Leiber & Stoller (Hip-O Select, 2005.) "Is That All There Is?" was arranged and conducted by Randy Newman. "Ready to Begin Again (Manya's Song)" was arranged and conducted by Perry Botkin, Jr.
Walt Disney's Lady and the Tramp: All the Songs from the Film (Disneyland, 1979) Close Enough for Love (DRG, 1979) You Can Depend On Me: 14 Previously Unreleased Songs (Glendale, 1981) The Music Makers Program 116 for Broadcast Week of 4/19/82 (Music Makers, 1982) Easy Listening with Woody Herman, Dave Barbour (Artistic Art, 1984)
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"That's All There Is to That" is a song written by Clyde Otis and Kelly Owens and performed by Nat King Cole featuring The Four Knights. It reached #15 on the U.S. R&B chart and #16 on the U.S. pop chart in 1956. [1] The song reference's Ethel Barrymore's phrase to rebuff curtain calls, "That's all there is, there isn't any more".
References in music include Nat King Cole's "That's All There Is to That" [citation needed] and Judy Garland's "That's All There Is, There Isn't Any More". Bruce Springsteen was also known to say variations of the lines during his lengthy, concert-ending performances of Gary U.S. Bonds 's song " Quarter to Three " on the Darkness Tour in 1978.
The song is part of the Great American Songbook, and Alec Wilder included it in his book American Popular Song: The Great Innovators, 1900–1950, even though it was composed two years after that period. Wilder gave two reasons for making this exception: (1) "it is one of the last free-flowing, native, and natural melodies in the grand pop ...