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The soundtrack list to Matilda the Musical was released by Sony Masterworks and Netflix Music on 4 November 2022. [8] The album featured much of the songs featured in the stage musical as well as a new closing number written for the film, that kept undisclosed (later titled "Still Holding My Hand").
In 2009, the Royal Shakespeare Company announced its intent to stage a musical adaptation of the story Matilda, engaging Dennis Kelly as playwright, Tim Minchin as the composer and lyricist, Matthew Warchus as director, Chris Nightingale as orchestrator and music supervision, Rob Howell as set designer and Paul Kieve as illusionist and special effects creator. [8]
Roald Dahl's Matilda the Musical, or simply Matilda the Musical, or Matilda, is a 2022 fantasy musical film directed by Matthew Warchus from a screenplay by Dennis Kelly, based on the stage musical of the same name by Tim Minchin and Kelly, which in turn was based on the 1988 novel Matilda by Roald Dahl.
All versions of Matilda—the 1988 novel, the 1996 film directed by Danny DeVito, the West End/Broadway stage film, and the 2022 Netflix movie musical—differ from each other in key ways.
Roald Dahl's Matilda, a classic novel about a precocious, neglected child whose intelligence manifests as telekinetic powers, was adapted into a celebrated West End musical back in 2011. With ...
Matilda the Musical (soundtrack) Mean Girls (2024 soundtrack) Moana (soundtrack) Moana 2 (soundtrack) Monty Python's The Meaning of Life (album) Moulin Rouge! Music from Baz Luhrmann's Film; Mrs. Brown, You've Got a Lovely Daughter (album) Mrs. Henderson Presents (soundtrack) Mufasa: The Lion King (soundtrack) The Muppet Movie (soundtrack)
"Matilda: The Musical" will be presented at 7:30 p.m. Friday and Saturday, and 2:30 p.m. Sunday, in the auditorium of Ridgewood High School, 602 Johnson St. Tickets are $10 and available online.
The School Library Journal wrote "You can’t help but love songs with double meanings like the oh-so appropriately named 'Revolting Children'". [3] The New York Times deemed it a "rousing final number" [2] and "an anthem of liberation", suggesting "which Mr. Darling has choreographed with a wink at Bill T. Jones’s work on “Spring Awakening”". [4]