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The central concept of Heller's Catch-22 is the irony of the now-idiomatic "catch-22", and the narrative is structured around a long series of similar ironies. Thomas Pynchon's The Crying of Lot 49 in particular provides prime examples of playfulness, often including silly wordplay, within a serious context. For example, it contains characters ...
Free Four is the first story of the series and retells the events of chapter thirteen of Divergent. It was released on April 23, 2012. It was released on April 23, 2012. [ 6 ] [ 18 ] [ 19 ]
The series is set in 1600, and follows three characters. John Blackthorne , a risk-taking English sailor who ends up shipwrecked in Japan , a land whose unfamiliar culture will ultimately redefine him; Lord Toranaga, a shrewd, powerful daimyo , at odds with his own dangerous, political rivals; and Lady Mariko, a woman with invaluable skills but ...
Once you factor in how many books appear on the typical set of shelves—and the back-and-forth necessary to clear the rights, compounded by the tight turnarounds of TV shows—it becomes a whole ...
The prefix "meta-" referred not so much to a reflective stance or repeated rumination, but to Plato's metaxy, which denotes a movement between (meta) opposite poles as well as beyond (meta) them. Vermeulen and van den Akker described metamodernism as a " structure of feeling " that oscillates between modernism and postmodernism like "a pendulum ...
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works.
Note: This is for articles on novel series—which are a set or series of novels or books that should be read in order as is often the case in speculative fiction and all its subgenres. Can be thought of as one over-riding storyline, and is often without plot re-introduction, reiteration or reminder, save for cursory mention of past events.
In their book, "Revisiting Postmodernism", Terry Farrell and Adam Furman argue that postmodernism brought a more joyous and sensual experience to the culture, particularly in architecture. [90] For instance, in response to the modernist slogan of Ludwig Mies van der Rohe that "less is more", the postmodernist Robert Venturi rejoined that "less ...
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