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'The Penguin' finale features Oz killing Victor Aguilar, a reference to Selina Kyle/Catwoman, and sets lots of things up for The Batman Part II. That Devastating ‘The Penguin’ Ending ...
In the end, I'm grateful that The Penguin became that show, even if it had to push the Penguin out of the nest to do it." [21] Sean T. Collins of Decider wrote, "the best way to look at The Penguin isn’t as a bridge between movies, but as a shaggy-dog joke. The Penguin does all this, kills all these people, leaves almost every enemy and ally ...
But the ending signals — quite literally, in fact — that the game isn't over. While in her Arkham cell, Sofia receives a letter from Selina Kyle, Zoë Kravitz 's Catwoman of Reeves' The Batman .
Andy Andersen of Vulture gave the episode a 4 star rating out of 5 and wrote, "It's hardly a spoiler to point out that The Penguin is about Oz Cobb's rise to power, and “Gold Summit” shows us what'll get him to the top of the Gotham heap in the end. Every crumbling institution of the city — from the halls of justice to the backrooms of ...
The Penguin is an American crime drama television miniseries developed by Lauren LeFranc for HBO. Based on the DC Comics character of the same name , it serves as a spin-off to the 2022 film The Batman , and follows Oz Cobb's rise to power in Gotham City 's criminal underworld .
This means that "The Penguin" takes place in the immediate aftermath of "The Batman," and it'll explore how the events of the film drastically changed Gotham and its inhabitants. "The Penguin ...
"Top Hat" is the seventh episode of the American crime drama television miniseries The Penguin, a spin-off from the film The Batman. The episode was written by co-executive producer Vladimir Cvetko, and directed by Kevin Bray. It was first broadcast on HBO in the United States on November 3, 2024, and also was available on Max on the same date.
Andy Andersen of Vulture gave the episode a 4 star rating out of 5 and wrote, "In the final moments of its third episode, The Penguin finds its signature rhythms and makes a clearer invitation to join its wavelength — sufficiently meeting the awkward demand of an “IP-based HBO crime show” while telling its own type of broad, exaggerated ...