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Literary subject pronouns also have a distinction between animate (egli, ella) and inanimate (esso, essa) antecedents, although this is lost in colloquial usage, where lui, lei and loro are the most used forms for animate subjects, while no specific pronoun is employed for inanimate subjects (if needed, demonstrative pronouns such as questo or ...
It is generally believed that the first eight lines derive from the Sicilian form of the Stramboto. The first recognized and documented user of this poetical form was the Italian poet Petrarch. In the usual course the rhymes are arranged ABCABC, but this is not necessary.One example is from Srasimum's Sestet which has a rhyme scheme of AACBBC.
Italian literature is written in the Italian language, particularly within Italy. It may also refer to literature written by Italians or in other languages spoken in Italy , often languages that are closely related to modern Italian , including regional varieties and vernacular dialects .
The verb later transformed to *haveō in many Romance languages (but etymologically Spanish haber), resulting in irregular indicative present forms *ai, *as, and *at (all first-, second- and third-person singular), but ho, hai, ha in Italian and -pp-(appo) in Logudorese Sardinian in present tenses.
The earliest Italian poetry is rhymed. Rhymed forms of Italian poetry include the sonnet (sonnetto), terza rima, ottava rima, the canzone and the ballata. [3] Beginning in the sixteenth century, unrhymed hendecasyllabic verse, known as verso sciolto, became a popular alternative (compare blank verse in English). [4]
Italian literary movements (3 C, 9 P) P. Works originally published in Italian periodicals (2 C) S. Sicilian-language literature (3 C) Stories within Italian ...
The first person to turn his attention to the matter was Dante Alighieri, who in his De vulgari eloquentia (c. 1303 –c. 1305) put forward the view that the language of literature should be based on no single dialect, but should draw on the best elements of all, to achieve the universal quality to which he aspired as a stylistic ideal (though in practice he himself wrote in an enriched form ...
Terza rima (/ ˌ t ɛər t s ə ˈ r iː m ə /, also US: / ˌ t ɜːr-/, [1] [2] [3] Italian: [ˈtɛrtsa ˈriːma]; lit. ' third rhyme ') is a rhyming verse form, in which the poem, or each poem-section, consists of tercets (three-line stanzas) with an interlocking three-line rhyme scheme: The last word of the second line in one tercet provides the rhyme for the first and third lines in the ...