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It is the national dance of Laos, and versions of it exist throughout the Lao-speaking region and even Cambodia, where it is known as ramvong. A slow and graceful couples dance, the men form an inner circle and the women an outer circle, with couples dancing around each other while moving in their respective circles.
The dance-dramas of Laos were originally only performed for the royal court. The dance-dramas and musical accompaniment are all very similar to those of Thai and Cambodian classical dances . Lao legends of the first ruler of Lan Xang say that in addition to a large army of Khmer soldiers, he was also accompanied by many female dancers from the ...
Speaking in dance via gestures in order to convey outer events or things visually is what mudras do. To convey inner feelings, two classifications of mudras (hand or finger gesture) are used in Indian classical dance, Thai dances, Cambodian dances, Lao dances, Burmese dances and Malay dances, and are a prominent part of the dancer's vocabulary.
Lucrecia Faustino Reyes-Urtula (June 29, 1929 – August 4, 1999) was a Filipino choreographer, theater director, teacher, author and researcher on ethnic dance. She was the founding director of the Bayanihan Philippine National Folk Dance Company and was named National Artist of the Philippines for dance in 1988. [1] [2] [3]
The Buff-banded rail (Gallirallus philippensis), one of the birds locally known in the Philippines as tikling, which were the inspiration for the movements of the dance. The name tinikling is a reference to birds locally known as tikling, which can be any of a number of rail species, but more specifically refers to the slaty-breasted rail (Gallirallus striatus), the buff-banded rail ...
The Royal Princesses in the dance, specifically in Lanao are usually accompanied by a waiting lady holding an elaborately decorated umbrella on her head and follows her as she dances. [2] Tahing Baila Basilan Yakan Tahing Baila is a Yakan dance, a low land tribal Philippine folk dance, in which it tries to imitate movements of fish. [2] Pangsak
The circular dance style is claimed as a traditional dance in the four countries of the region where it is often part of traditional festivities, popular celebrations and modern parties. In addition to the dominant Khmer , Lao , Malay and Thai cultures , romvong is also common among many other groups indigenous to Southeast Asia.
In Laos, the traditional folk music is referred to as ລຳ, lam /lám/, which refers to both the verb and noun 'dance', and is in general use in the central and southern areas of the country. In northern Laos, the regional folk music styles are referred to as ຂັບ, khap /kʰáp/ , and signifies 'to sing' or a 'song'.