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In time-lapse photography, the camera records images at a specific slow interval such as one frame every thirty seconds (1 ⁄ 30 fps). The shutter will be open for some portion of that time. In short exposure time-lapse the film is exposed to light for a normal exposure time over an abnormal frame interval.
Hyperlapse or moving time-lapse (also stop-motion time-lapse, walklapse, spacelapse) is a technique in time-lapse photography for creating motion shots. In its simplest form, a hyperlapse is achieved by moving the camera a short distance between each shot. The first film using the hyperlapse technique dates to 1995.
Diagram showing a single-camera setup. In filmmaking, television production and video production, the single-camera setup or single-camera mode of production (also known as portable single crew, portable single camera or single-cam) is a method in which all of the various shots and camera angles are taken using the same camera.
The multiple-camera setup, multiple-camera mode of production, multi-camera or simply multicam is a method of filmmaking, television production and video production. Several cameras—either film or professional video cameras —are employed on the set and simultaneously record or broadcast a scene.
The camera also has a 3-step ND filter switch allowing greater control of how much light can enter the camera for maintaining a shallow depth of field or giving a softer appearance to motion. For one hour video shooting in 4K the camera needs about 32 GB to accommodate a data transfer rate of 50 Mbit/s. The camera's MSRP in the US is US$2,000. [8]
Example of "time-lapse" video, which Koyaanisqatsi uses heavily. Reggio and Fricke came across time-lapse footage in "some low-visibility commercial work". They felt such footage was "the language [they] were missing", and collectively decided to implement time-lapse as a major part of the film to create "an experience of acceleration".
John Nash Ott (23 October 1909 – 6 April 2000 [1]) was a photo-researcher, writer, photographer, and cinematographer who was an early adopter of many modern photographic practices, including time-lapse photography and full-spectrum lighting.
In 1947 Edwin H. Land introduced the Polaroid-Land process. [4] The first instant films produced sepia tone photos. [5] A negative sheet is exposed inside the camera, then lined up with a positive sheet and squeezed through a set of rollers which spread a reagent between the two layers, creating a developing film "sandwich".