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Dr Terror's House of Horrors is a 1965 British anthology horror film from Amicus Productions, directed by veteran horror director Freddie Francis, written by Milton Subotsky, and starring Peter Cushing and Christopher Lee. [3] [4]
The film includes footage from Roger Corman's Edgar Allan Poe adaptations. The similarity of its title to Amicus Productions ' hit Dr. Terror's House of Horrors led to numerous enforced title changes, including Return from the Past , The Blood Suckers , Alien Massacre , and most commonly Gallery of Horror (on-screen) and Gallery of Horrors (on ...
Dead of Night (1945) helped to popularize the format for horror anthology films—although they had existed as far back as Unheimliche Geschichten(1919) or Waxworks (1924)—and British company Amicus made several such films in the 1960s and 1970s.
Torture Garden is a 1967 British horror film directed by Freddie Francis and starring Burgess Meredith, Jack Palance, Michael Ripper, Beverly Adams, Peter Cushing, Maurice Denham, Ursula Howells, Michael Bryant and Barbara Ewing. [2]
Dr. Terror's House of Horrors: Freddie Francis: Peter Cushing, Christopher Lee, Roy Castle: United Kingdom United States [13] The Embalmer: Dino Tavella: Luigi Martocci: Italy [14] [15] The Face of Fu Manchu: Don Sharp: Christopher Lee, Nigel Green, Howard Marion-Crawford: United Kingdom [16] Fanatic (a.k.a. Die! Die! My Darling!) Silvio Narizzano
The preponderance of long-shots ensures that, despite the presence of Britain's two most prominent horror stars, The Creeping Flesh is above all an ensemble film, concerned with the interconnection of actions and drives. It also distances the spectator, encouraging him to see each action in the context of the total pattern rather than isolating ...
From Beyond the Grave (also known as The Creatures from beyond the Grave) is a 1974 British anthology horror film from Amicus Productions, directed by Kevin Connor, produced by Milton Subotsky and based on short stories by R. Chetwynd-Hayes.
A review at Daily Dead, insisting on the prominence of the trope of the eyes in the film, states "Maybe watching Mansion of the Doomed (1976) you’d be content with a single case of eye transplant surgery instead of the six offered? Well, you’d be wrong. This is a film that leans heavy on the nihilism and nastiness of the times". [5]