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This summary is based on the version of Jon B. Coe and Simon Young (see below). The poem begins with Arthur asking the porter's name. Glewlwyd Gafaelfawr duly identifies himself and returns the question, upon which Arthur names himself and says his party consists of Cai the Fair and "the best men in the world".
"The King and the Beggar-maid" is a 16th-century broadside ballad [1] that tells of an African king, Cophetua, and his love for the beggar Penelophon (Shakespearean Zenelophon). Artists and writers have referenced the story, and King Cophetua has become a byword for "a man who falls in love with a woman instantly and proposes marriage immediately".
One can only make children aware of their sensitivities, and help children learn of the forms, the basic tools of poetry, into which they can put their own voices. During these [twenty] years I have touched the lives of thousands of children and I have given praise when it is due, and criticism when it is warranted.
Changampuzha's other famous works include Vazhakkula, Divyageetham, Yavanika, Bashpanjali, Manaswini, Sankalpakanthi, Devageetha, Spandikkunna Asthimatam, Udyana lakshmi, Patunna Pisachu, novel Kalithozhi and others. He was a close friend of Edappally Raghavan Pillai, another great poet of his time. 'Samastha Kerala Sahitya Parishath', an ...
The King's Disguise, and Friendship with Robin Hood is an English ballad of Robin Hood. It is a relatively late work in the corpus, found in the Forresters Manuscript from the 1670s. The work seems loosely based on the 7th and 8th fyttes of A Gest of Robyn Hode which recounts the end of Robin Hood's outlawry after an encounter with the king.
The term appears in several of Rudyard Kipling's stories and as the title of a poem that he wrote; it appeared in Barrack-Room Ballads, and Other Verses, first series, published in 1892, and T. S. Eliot included it in his 1941 collection, A Choice of Kipling's Verse. In Kipling's poem "Gentlemen-Rankers", the speaker "sings":
Beowulf is considered an epic poem in that the main character is a hero who travels great distances to prove his strength at impossible odds against supernatural demons and beasts. The poem begins in medias res or simply, "in the middle of things", a characteristic of the epics of antiquity. Although the poem begins with Beowulf's arrival ...
The four poems, like a substantial portion of Anglo-Saxon poetry, are sculpted in alliterative verse. All four poems draw upon Latin sources such as homilies and hagiographies (the lives of saints ) for their content, and this is to be particularly contrasted to other Old English poems (e.g., Genesis, Exodus, and Daniel ), which are drawn ...