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Instructions of Amenemhat (aka "Teaching of King Ammenemes I to His Son Sesostris") is a short ancient Egyptian poem of the sebayt genre written during the early Middle Kingdom. The poem takes the form of an intensely dramatic monologue delivered by the ghost of the murdered 12th Dynasty pharaoh Amenemhat I to his son Senusret I .
These make the poem's reading experience seem close to a casual talking speed and clarity. The poem is in two parts, each of 14 lines. The first part of the poem (the first 8 line and the second 6 line stanzas) is written in the present as the action happens and everyone is reacting to the events around them.
The Old Vicarage, Grantchester" is a light poem by the English Georgian poet Rupert Brooke (1887–1915), written in Berlin in 1912. Initially titled "The Sentimental Exile", Brooke, with help from his friend Edward Marsh , renamed it to the title the poem is now commonly known as.
"The King and the Beggar-maid" is a 16th-century broadside ballad [1] that tells of an African king, Cophetua, and his love for the beggar Penelophon (Shakespearean Zenelophon). Artists and writers have referenced the story, and King Cophetua has become a byword for "a man who falls in love with a woman instantly and proposes marriage immediately".
"Lycidas" (/ ˈ l ɪ s ɪ d ə s /) is a poem by John Milton, written in 1637 as a pastoral elegy. It first appeared in a 1638 collection of elegies, Justa Edouardo King Naufrago, dedicated to the memory of Edward King, a friend of Milton at Cambridge who drowned when his ship sank in the Irish Sea off the coast of Wales in August 1637. The ...
This summary is based on the version of Jon B. Coe and Simon Young (see below). The poem begins with Arthur asking the porter's name. Glewlwyd Gafaelfawr duly identifies himself and returns the question, upon which Arthur names himself and says his party consists of Cai the Fair and "the best men in the world".
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The Kingis Quair ("The King's Book") [1] [2] is a fifteenth-century Early Scots poem attributed to James I of Scotland. It is semi-autobiographical in nature, describing the King's capture by the English in 1406 on his way to France and his subsequent imprisonment by Henry IV of England and his successors, Henry V and Henry VI .