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Powell and Pressburger also co-produced a few films by other directors under The Archers' banner: The Silver Fleet (1943), written and directed by Vernon Sewell and Gordon Wellesley, based on a story by Pressburger, [7] and The End of the River (1947), directed by Derek N. Twist, to which both Powell and Pressburger contributed uncredited ...
This category contains films which were either written, produced and/or directed by the British-based film-makers Powell & Pressburger, usually together but also to cover their solo work. As such, it should not be moved to anything like Films directed by Powell and Pressburger or it won't cover many of the films listed. Because they were such a ...
Michael Powell and Emeric Pressburger US title: The Pursuit of the Graf Spee: 1957 Ill Met by Moonlight: Michael Powell and Emeric Pressburger for Rank Organisation Film Productions (and Vega Productions) US title: Night Ambush: 1959 Luna de Miel: Michael Powell Production for Suevia Films-Cesáreo González (Spain)/Everdene (GB) a.k.a ...
For any film lovers who grew up on, generationally depending, the cinema of Michael Powell and Emeric Pressburger, or the essential ’90s cinephile primer “A Personal Journey with Martin ...
The films of Powell and Pressburger, the directing-screenwriting duo known as the Archers, has been an abiding polestar for Scorsese, who befriended Powell late in life. Thelma Schoonmaker , Scorsese’s longtime editor, married him, and since his death in 1990 has worked tirelessly to celebrate his legacy.
Michael Latham Powell (30 September 1905 – 19 February 1990) was an English filmmaker, celebrated for his partnership with Emeric Pressburger.Through their production company The Archers, they together wrote, produced and directed a series of classic British films, notably The Life and Death of Colonel Blimp (1943), A Canterbury Tale (1944), I Know Where I'm Going!
Made in England: The Films of Powell and Pressburger is a 2024 British documentary film directed by David Hinton. Martin Scorsese narrates the film, as he reflects on the influence of filmmakers Michael Powell and Emeric Pressburger, whose decades-long collaboration led to a series of classics that made the duo a crucial part of British cinema.
The films they made together in this period were mainly original stories by Pressburger, who also did most of the work of a producer for the team. Pressburger was also more involved in the editing process than Powell, and as a musician, Pressburger was also involved in the choice of music for their films.