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D 729, Symphony (No. 7) in E major (1821, sketches of all four movements are extant) D 759 , Symphony (No. 8) in B minor , Unfinished (1822, unfinished – two complete movements and a fragment of a "Scherzo" third movement are extant; the first-act entr'acte from Rosamunde , D 797 No. 1 is possibly the fourth movement)
The Sonata in C major, D 812, in four movements, is the most elaborate of the four-hands piano pieces Schubert wrote during his summer in Zseliz in 1824. [ 20 ] [ 49 ] [ 21 ] Performance time of the Sonata ranges from less than 37 minutes to over 47 minutes.
Franz Schubert's Symphony No. 8 in B minor, D 759 (sometimes renumbered as Symphony No. 7, [1] in accordance with the revised Deutsch catalogue and the Neue Schubert-Ausgabe [2]), commonly known as the Unfinished Symphony (German: Unvollendete), is a musical composition that Schubert started in 1822 but left with only two movements—though he lived for another six years.
The third movement is a Minuet full of rapid string passages, and includes the trumpets and timpani, but not during the Trio. The final movement is a gigue, whose main theme unusually does not end the movement. Along with this symphony's minuet, it contains similar characteristics & aspects to its previous symphony by number, Symphony No. 7 in ...
The key of C minor was, like most other minor keys, associated with the literary Sturm und Drang movement during the Classical period. But ever since Ludwig van Beethoven's famous Symphony No. 5, Op. 67, of 1808, C minor imparts a symphony in the key a character of heroic struggle.
Symphony No. 1: Score and critical report (in German) in the Neue Mozart-Ausgabe; Symphony No. 2 is considered spurious: Symphony No. 3 is considered spurious: 19 19 Symphony No. 4: D major: 10:40 1765 London Symphony No. 4: Score and critical report (in German) in the Neue Mozart-Ausgabe; Anh. 223 19a Symphony, K. 19a: F major: 1765 London
The second, third and fourth movements all feature the solo violin prominently, forming a three-movement violin concerto within the serenade. This is similar to the K. 204 serenade from the previous year. These movements are set apart from the rest of the serenade by their choice of keys (B-flat major, F major, B-flat major). [1]
Symphony No. 6 in D major, Le matin (1761) Symphony No. 7 in C major, Le midi (1761) Symphony No. 8 in G major, Le soir (1761) Symphony No. 9 in C major (1762) Symphony No. 10 in D major (between 1757 and 1761) Symphony No. 11 in E ♭ major (between 1760 and 1762) Symphony No. 12 in E major ; Symphony No. 13 in D major (1763) Symphony No. 14 ...