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On the Metro, in the tunnels near the station at Park Kultury, built in 1935, is starting to structurally fail.One tunnel night crawler, Sergeitch (Sergey Sosnowski), sees water leaking into the tunnel where it runs underneath the Moscow River and informs the assistant station master (Michael Fateev), who mocks the old man for worrying about it, saying it is only groundwater.
The Metro series was also being developed into films by Michael De Luca and Solipsist Films for MGM, but the deal has been cancelled by Glukhovsky due to his disapproval to their Americanization of his work. A Russian Metro 2033 film adaptation project was announced by the Russian state company Gazprom Media in 2019. [11]
considered as Russia’s first big-budget IMAX and 3D movie. [citation needed] October 16: About a wife, a dream and another... Про жену, мечту и еще одну... Director: Alexander Pozhenskiy Cast: Alexandra Kulikova, Konstantin Yushkevich: Dramedy: A date. Maria and Vasin do not realize that in a parallel world they have a ...
Metro 2033 (Russian: Метро 2033) is a 2002 post-apocalyptic fiction novel by Russian author Dmitry Glukhovsky. It is set within the Moscow Metro, where the last survivors hide after a global nuclear holocaust. It has been followed by two sequels, Metro 2034 and Metro 2035, and spawned the Metro media franchise.
Metro 2034 (Russian: Метро 2034) is a 2009 post-apocalyptic science fiction novel in the Metro series, written by Russian author Dmitry Glukhovsky as a sequel to his earlier Metro 2033. It later received its own sequel with the release of Metro 2035 .
The novel Text by Dmitry Glukhovsky, the author of the Metro book trilogy, was released in 2017 and was later translated into more than 20 languages. [8] Within a week of the release of the book, Glukhovsky received about ten offers of a film adaptation, including from Alexander Rodnyansky and Timur Bekmambetov, who wanted to make a film in the screenlife genre. [9]
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A list of the most notable films produced in the Cinema of Russia. Russia, since beginning to produce films in the late 1890s, has experienced three political regimes; the Russian Empire, Pre-1917; the Soviet Union, 1917–1991; and the Russian Federation, 1991–present. Films ordered by year and decade of release are split for political purposes.