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In a patrilocal society, when a man marries, his wife joins him in his father's home or compound, where they raise their children. These children will follow the same pattern. Sons will stay and daughters will move in with their husbands' families. Families living in a patrilocal residence generally assume joint ownership of domestic sources.
Patrilocal Both Henry Gravrand [16] Charles Becker [17] 1990 1993 Siraya: Austronesia: Taiwan: Duolocal, uxorilocal Matrilineal Shepherd & Candidius: 1995 Tai people: Asia: Matrilocal Tlingit: North America: United States, and Canada: Matrilocal Matrilineal Aurel Krause: 1885 Tiwi: Australasia: Australia: Matrilineal Tsimshian: North America ...
Frequently, [clarification needed] visiting marriage is being practiced, meaning that husband and wife are living apart, in their separate birth families, and seeing each other in their spare time. The children of such marriages are raised by the mother's extended matrilineal clan.
Matrilineality, also called matriliny, is the tracing of kinship through the female line. It may also correlate with a social system in which each person is identified with their matriline, their mother's lineage, and which can involve the inheritance of property and titles.
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Patrilineality, also known as the male line, the spear side [1] or agnatic kinship, is a common kinship system in which an individual's family membership derives from and is recorded through their father's lineage.
In 1956, the concept of the matrifocal family was introduced to the study of Caribbean societies by Raymond T. Smith. He linked the emergence of matrifocal families with how households are formed in the region: "The household group tends to be matri-focal in the sense that a woman in the status of 'mother' is usually the de facto leader of the group, and conversely the husband-father, although ...
The practised patrilocal residence, and their marriage arrangements were based on for class system. [9] Father's father, father, son, son's son and their brothers inherited a totem (tjukur/tuma) which bore associations with specific topographical features of the landscape that evoked the movements of the creative being in their dreaming. [9]