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The Monuments Men and Women Foundation, formerly known as the Monuments Men Foundation for the Preservation of Art, is an American IRS-approved 501(c)(3) not-for-profit organization, [1] which honors the legacy of those who served in the Monuments, Fine Arts, and Archives program during and after World War II, [2] [3] more commonly known as the Monuments Men and Women.
World War II "Monuments Men" Archival Collections at the Archives of American Art, Online exhibition, Archives of American Art, Smithsonian Institution "Monuments and the NGA". National Gallery of Art. Voices of the Monuments Men: oral history interviews. Webcast presentation about Saving Italy on May 9, 2013, at the Pritzker Military Library
The painting and the entire collection of the Czartoryski family in Warsaw were confiscated in 1942, brought to Austria and probably stolen there by American military personnel after the end of the war. In 1949 it came into the possession of the VMFA. The VMFA started an inventory review in 1998 and identified the painting as looted art.
Jean Metzinger, 1913, En Canot (Im Boot), oil on canvas, 146 cm × 114 cm (57 in × 45 in), exhibited at Moderni Umeni, S.V.U. Mánes, Prague, 1914, acquired in 1916 by Georg Muche at the Galerie Der Sturm, confiscated by the Nazis c. 1936, displayed at the Degenerate Art show in Munich, and missing ever since Albert Gleizes, 1912, Landschaft bei Paris, Paysage près de Paris, Paysage de ...
Art theft and looting occurred on a massive scale during World War II. It originated with the policies of the Axis countries, primarily Nazi Germany and Japan, which systematically looted occupied territories. Near the end of the war the Soviet Union, in turn, began looting reclaimed and occupied territories. "The grand scale of looted artwork ...
As of November 2010, the Army Art collection comprises over 15,500 works of art from over 1,300 artists. The Army Staff Artist Program was assigned to the United States Army Center of Military History Museum Division in 1992, where it was established as a permanent part of the Museum Division's Collections Branch.
The Federal Art Project (1935–1943) of the Works Progress Administration was the largest of the New Deal art projects. [1] As many as 10,000 artists [ 2 ] were employed to create murals, easel paintings, sculpture, graphic art, posters, photography, Index of American Design documentation, theatre scenic design , and arts and crafts. [ 3 ]
Stevan Dohanos (May 18, 1907 – July 4, 1994) was an American artist and illustrator of the social realism school, best known for his Saturday Evening Post covers, and responsible for several of the Don't Talk set of World War II propaganda posters. [1] He named Grant Wood and Edward Hopper as the greatest influences on his painting.
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