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He used brass instruments like the trumpet to convey "very peculiar sounds related to the construction". [2] The soundtrack opens with an overture in three parts, as Blumberg and Corbet wanted the first 10 minutes of the film to have continual music. The opening sequence of the film was choregraphed and filmed to Blumberg's demos of the overture.
The Brutalist is a 2024 epic period drama film directed and produced by Brady Corbet, who co-wrote the screenplay with Mona Fastvold. [7] It stars Adrien Brody as a Hungarian-Jewish Holocaust survivor who emigrates to the United States, where he struggles to achieve the American Dream until a wealthy client changes his life.
Daniel Blumberg (born 1990) is an English artist, [2] musician, songwriter [3] and composer. [4] He is known for his score for the 2024 film The Brutalist, for which he won the BAFTA Award for Best Original Music and the Academy Award for Best Original Score in 2025.
Viktória Sovák, the new head of post-production house NFI Filmlab in Hungary, whose credits include Venice competition titles “The Brutalist” and “Maria” and upcoming films by Ildiko ...
Back to Black (soundtrack) Bad Boys: Ride or Die (soundtrack) Barroz (soundtrack) Beetlejuice Beetlejuice (score) Beetlejuice Beetlejuice (soundtrack) Beverly Hills Cop: Axel F (soundtrack) Big City Greens the Movie: Spacecation (soundtrack) Blitz (soundtrack) Bob Marley: One Love (soundtrack) Bramayugam (soundtrack) The Brutalist (soundtrack)
Baby Snakes (soundtrack) Bangalore Days (soundtrack) Bardo Hotel Soundtrack; Be Glad for the Song Has No Ending; The Beach (soundtrack) Berlin Babylon +Bien; Big Wave (Tatsuro Yamashita album) Bless the Beasts and Children (soundtrack) Blue World (album) Body Love (album) The BQE (soundtrack) Brotherman; Businessman (soundtrack)
The Last of the Mohicans (soundtrack) The Last Samurai (soundtrack) Lawrence of Arabia (soundtrack) Les Misérables: Highlights from the Motion Picture Soundtrack; Recordings of the music for The Lord of the Rings film series
Often, it feels as if this music simply conjures up a maddening and endless sense of paranoia." [16] Adam Turner-Heffer of Drowned in Sound gave 7/10 and described it as "an impressive work but sans context, it largely will pass a casual listener by as merely a moody and atmospheric soundtrack without much for them to sink their teeth into." [17]