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A greatest hits collection taken from Badfinger's four albums on Apple, Come and Get It: The Best of Badfinger, appeared in 1995 on the EMI/Apple/Capitol label, which was the band's first release since 1973's Ass to be assigned a standard Apple catalogue number: SAPCOR 28.
Badfinger is the sixth studio album by British rock band Badfinger. The album was recorded in autumn 1973 and released in 1974 on Warner Bros. Records. It was the first of two albums released by the band on the Warner label. The cover art for the album shows a woman wearing a riding outfit and hat from the 1920s and smoking a cigarette in a ...
Come and Get It: The Best of Apple Records is a greatest hits compilation album containing songs by artists signed to the Beatles' Apple record label between 1968 and 1973. . The first and currently only such multi-artist Apple compilation, it was released on 25 October 2
Head First was not released until 2000, however, because of further lawsuits between Warner Bros. and Badfinger's management. Real Gone Music released an "Expanded" version of the album 30 November 2018. A further expanded edition comprising 40 tracks including those from Badfinger was released 3 January 2020 with the title Shine On 1974.
No Dice is the third studio album by British rock band Badfinger, issued by Apple Records and released on 9 November 1970. Their second album under the Badfinger name, but their first official album under that name, and first to include guitarist Joey Molland, No Dice significantly expanded the British group's popularity, especially abroad.
Maybe Tomorrow is the debut album by British rock band Badfinger. Maybe Tomorrow is the only release under the band's original name as The Iveys. It was issued in 1969 on the Apple label in Japan, West Germany and Italy. Although the album was scheduled to be released worldwide, the release in the US and UK at that time was halted without ...
Classic Rock critic Rob Hughes rated "Day After Day" as Badfinger's greatest song, due to the "unassailable melody, plaintive vocals and lovestruck sentiment" as well as Harrison's "wonderful slide solo." [11] Ultimate Classic Rock critic Michael Gallucci rated it as Badfinger's 2nd best song, highlighting Harrison's "distinctive guitar playing."
The album was further delayed when a disagreement surfaced between Apple and Badfinger's management on publishing copyrights. Half of the tracks on Ass were written by Joey Molland . Molland never signed a publishing agreement with Apple Music, unlike his three bandmates, who had signed such a publishing agreement when still in The Iveys.
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