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A Bedouin woman performing a sword dance, c. 1910. Arab sword dances (raqs al-saïf) evolved out of sword fighting between men, in both Egypt and Turkey. There was even a time when sword dancing was banned by the sultan during Ottoman rule, as it was believed that dancers, who took swords from soldiers and pretended to "kill" them at the end of ...
The Sui dynasty collected the music and dance of the various peoples under its rule as well as popular music from outside China into the "Seven Books of Music" (七部樂), describing the music and dance of the Western Liang, Korea, India, Bukhara, Kucha, the Qingshang and the Wenkang (文康, a masked dance, later known as Libi, 禮畢).
The oldest extant written Chinese music is "Youlan" (幽蘭) or the Solitary Orchid, composed during the 6th or 7th century, but has also been attributed to Confucius. The first major well-documented flowering of Chinese music was for the qin during the Tang dynasty (618-907AD), though the qin is known to have been played since before the Han ...
In military culture throughout history, the sword symbolised the warrior's soul. Chinese sword culture idealizes sword skill and regards swords as a virtue and a symbol of personal social and cultural accomplishment. [10] The sword embodies the spirit of the Chinese people and has been praised in art works and legends for thousands of years.
Chinese traditional music includes various music genres which have been inherited for generations in China. [1] Specifically, this term refers to the music genres originated in or before Qing dynasty. [2] According to the appearance, the genres can be classified into instrumental ensemble, instrumental solo, theatre, shuochang, dance music and ...
During the performance, the shrine maidens usually utilize a channeling device for god such as masks and spears to imitate the trance. With the kagura music that has the power to summon the gods, the miko start to dance to transform themselves into the representation of the gods and receive messages as well as blessings from the deities. [1]
In the early 20th century, the term guoyue was widely used to distinguish between imported Western music and traditional Chinese music. It therefore included all Han Chinese music but excluded anything written for Western instruments. [3] In its broadest sense it includes all Chinese instrumental music, opera, regional folk genres, and solo pieces.
Dance was also closely associated with yayue music, each yayue pieces may have a ceremonial or ritual dance associated with it. The most important yayue piece of the Zhou dynasty were the Six Great Dances, each associated with a legendary or historical figure – Yunmen Dajuan (雲門大卷), Daxian ( 大咸 ), Daqing (大磬, or Dashao 大韶 ...