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My Fair Lady is a 1964 American musical comedy drama film adapted from the 1956 Lerner and Loewe stage musical based on George Bernard Shaw's 1913 stage play Pygmalion.With a screenplay by Alan Jay Lerner and directed by George Cukor, the film depicts a poor Cockney flower-seller named Eliza Doolittle who overhears a phonetics professor, Henry Higgins, as he casually wagers that he could teach ...
In addition to pronouncing "lovely" as "loverly", the song lyrics highlight other facets of the Cockney accent that Professor Henry Higgins wants to refine away as part of his social experiment. In the stage version it was sung by Julie Andrews. [1] In the 1964 film version, Marni Nixon dubbed the song for Audrey Hepburn. [2]
The Broadway cast recording of the musical My Fair Lady was first released April 2, 1956 by Columbia Records, [2] with songs by Lerner and Loewe, conducted by Franz Allers, starring Rex Harrison and Julie Andrews. Columbia president Goddard Lieberson provided the $375,000 needed to stage the show in return for the rights to the cast recording. [2]
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The album was released on compact disc as one of two albums on one CD by Collectables Records on March 23, 1999, along with Williams's 1964 Columbia album, The Academy Award-Winning "Call Me Irresponsible" and Other Hit Songs from the Movies. [11] This same pairing was also released as two albums on one CD by Sony Music Distribution in 2000. [12]
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Lerner and Loewe, c. 1962 Lerner and Loewe is the partnership between lyricist and librettist Alan Jay Lerner and composer Frederick Loewe. [1] Spanning three decades and nine musicals from 1942 to 1960 and again from 1970 to 1972, the pair are known for being behind the creation of critical on stage successes such as My Fair Lady, Brigadoon, and Camelot along with the musical film Gigi.
Manne himself worked with arranger John Williams to present a different treatment of the musical in 1964, first issued as My Fair Lady with the Un-Original Cast, and later reissued as My Fair Lady Swings. This album was based on arrangements thoroughly worked out in advance, and some of the tunes were sung by Jack Sheldon and Irene Kral.