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Mount maker welding together a new mount. A mount maker is responsible for the creation of structures called object mounts used to provide unobtrusive physical support, stability, and security of objects while on display, in storage, or being transported to museums, art galleries, libraries, archives, botanical gardens or other cultural institutions.
His principal works were Designs for Ceilings; Convenient and Ornamental Architecture (1767, last revised 1797, reprinted 1805); [2] [3] [4] The Carpenter's Companion for Chinese Railings, Gates, etc. (1770); The Joiner and Cabinet-maker's Darling, or Sixty Designs for Gothic, Chinese, Mosaic and Ornamental Frets (1765); the design of Boodle's Club, St James's Street, London (1775–76); and ...
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Charles-Honoré Lannuier was born outside of Paris in Chantilly, France, on June 27, 1779, son to Michel-Cyrille Lannuier, an innkeeper, and his wife, Marie-Geneviève Malice.
The very difference between ornament and structure is subtle and perhaps arbitrary. The pointed arches and flying buttresses of Gothic architecture are ornamental but structurally necessary; the colorful rhythmic bands of a Pietro Belluschi International Style skyscraper are integral, not applied, but certainly have ornamental effect ...
Windmill: a disconnected but free-spinning miniature, typically in the American Aermotor style having about a dozen metal vanes, or the traditional Dutch style having four wood vanes. Yard globe: a light-reflective sphere, as large as 12" in diameter or more and generally displayed on top of a support structure. Also called gazing globes or ...
Passementerie of cording and braid, embellished with beads, French, 1908. Passementerie (/ p æ s ˈ m ɛ n t r i /, French pronunciation: [pɑsmɑ̃tʁi]) or passementarie is the art of making elaborate trimmings or edgings (in French, passements) of applied braid, gold or silver cord, embroidery, colored silk, or beads for clothing or furnishings.
Luristan bronze objects came to the notice of the world art market from the late 1920s and were excavated in considerable quantities by local people, "wild tribesmen who did not encourage the competition of qualified excavators", [10] and taken through networks of dealers, latterly illegally, to Europe or America, without information about the contexts in which they were found. [11]