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[a] Especially in Florence, where sumptuary laws prevented the citizens from wearing the most luxurious cloths on which the city's fortunes were built, the materials of men's clothing in particular often appear plain in paintings, but contemporaries who understood the difference in grades of cloth very well would have appreciated the beauty and ...
The Italian Catherine de' Medici, as Queen of France. Her fashions were the main trendsetters of courts at the time. Fashion in Italy started to become the most fashionable in Europe since the 11th century, and powerful cities of the time, such as Venice, Milan, Florence, Naples, Vicenza and Rome began to produce robes, jewelry, textiles, shoes, fabrics, ornaments and elaborate dresses. [8]
In the 1970s and 1980s, Italian fashion started to concentrate on ready-to-wear clothes, such as jeans, sweaters, and miniskirts. Milan had more affordable styles for shoppers, and Florence was no longer considered the fashion capital of Italy. New clothing labels, such as Miu Miu [15] and Geox, started to
St John the Baptist wears his iconographical clothes, but the sainted English kings Edward the Confessor and Edmund the Martyr are in contemporary royal dress. The Wilton Diptych 1395–99. Wool was the most important material for clothing, due to its numerous favourable qualities, such as the ability to take dye and its being a good insulator. [5]
The Museum of Fashion and Costume (the Costume Gallery) is one of the museums housed in the Pitti Palace in Florence. [1] It is housed at the Palazzina della Meridiana, a pavilion south of the main palace; it is accessible from the Boboli Gardens. [2] It was founded in 1983.
Francesco de Medici wears an unusual doublet (or robe?) that appears to fasten up the back, Italy, 1551; The sisters of Sofonisba Anguissola wears fashionable dresses suitable for aristocratic daughters in Italy, 1555; François Duke of Alençon, France, 1556–58; The French princess Marguerite of Valois wears a white gown with embroidery and ...
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It could also be called a camurra or camora in Florence or a zupa, zipa, or socha in northern Italy. [1] It consisted of a fitted bodice and full skirt worn over a chemise (called a camicia). It was usually unlined. [2] The gamurra probably developed from a fourteenth century garment called the gonna, gonnella, or sottana. [2]
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