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[1] [2] Every term of the harmonic series after the first is the harmonic mean of the neighboring terms, so the terms form a harmonic progression; the phrases harmonic mean and harmonic progression likewise derive from music. [2] Beyond music, harmonic sequences have also had a certain popularity with architects.
An infinite series of any rational function of can be reduced to a finite series of polygamma functions, by use of partial fraction decomposition, [8] as explained here. This fact can also be applied to finite series of rational functions, allowing the result to be computed in constant time even when the series contains a large number of terms.
An excellent example of Harmonic Progression is the Leaning Tower of Lire. In it, uniform blocks are stacked on top of each other to achieve the maximum sideways or lateral distance covered. The blocks are stacked 1/2, 1/4, 1/6, 1/8, 1/10, … distance sideways below the original block.
The fundamental frequency is also called the 1st harmonic; the other harmonics are known as higher harmonics. As all harmonics are periodic at the fundamental frequency, the sum of harmonics is also periodic at that frequency. The set of harmonics forms a harmonic series.
Harmonic series, partials 1–5 numbered In music, just intonation or pure intonation is the tuning of musical intervals as whole number ratios (such as 3:2 or 4:3) of frequencies . An interval tuned in this way is said to be pure, and is called a just interval .
The harmonic series (also overtone series) is the sequence of harmonics, musical tones, or pure tones whose frequency is an integer multiple of a fundamental frequency. Pitched musical instruments are often based on an acoustic resonator such as a string or a column of air, which oscillates at numerous modes simultaneously.
By this construction, the function that defines the harmonic number for complex values is the unique function that simultaneously satisfies (1) H 0 = 0, (2) H x = H x−1 + 1/x for all complex numbers x except the non-positive integers, and (3) lim m→+∞ (H m+x − H m) = 0 for all complex values x.
The fundamental frequency is considered the first harmonic and the first partial. The numbering of the partials and harmonics is then usually the same; the second partial is the second harmonic, etc. But if there are inharmonic partials, the numbering no longer coincides. Overtones are numbered as they appear above the fundamental. So strictly ...