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Fender introduced the amplifier with a 5U4GB rectifier tube rather than the diode rectifier found in the previous Blackface Bandmaster. This resulted in the Bandmaster Reverb having reduced power over the standard model and increased sag and power amp break up. The revised circuit also places the gain stage within the reverb recovery circuit ...
The Fender Bandmaster was a musical instrument amplifier made by Fender. It was introduced in 1953 and discontinued in 1974. [1] Some early models had both a microphone input and instrument inputs. Beginning in 1960, Bandmaster amps were equipped with a vibrato effect. In the 2000s, vintage Bandmaster amps remain in use by blues, Americana and ...
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This latter model (6G4-A) is the most common design lasting from mid 1961 to 1963 until the Super-Reverb Amp was debuted. The 6G4-A however typically sports standard brown tolex with wheat colored grill cloth and delivers approximately 40 watts of power. During this time, the 2-10" speakers were either Jensen AlNiCo or Oxford AlNiCo models.
Fender amplifiers would become favorites of guitarists like Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan, also known in these cases for playing Fender guitars. Fender amps have come in many configurations and styles. The early K&F and Fender amplifiers relied upon vacuum tube circuitry, with solid-state models appearing in the late 1960s ...
A 1940s-era Valco combo amp Fender Deluxe 1953 U2 guitarist The Edge's 1964 Vox AC30 combo amp Even in the 2020s, the vintage Fender Bandmaster remains a sought-after amp by guitarists. Note the four inputs, two for regular sound and two that run through the onboard "vibrato" effect unit. The amp pictured is a 1968 model.
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The Fender Harvard is a vacuum tube (valve) guitar amplifier made by Fender from 1955 to 1963. The Harvard appeared only in a tweed covered "narrow-panel" cabinet, but in two very different circuit designs, namely 5F10 (1955–61) and 6G10 (1962–63).