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Sangeet Natak Akademi is an autonomous body of the Ministry of Culture, Government of India. [3] The academy functions as the apex body of the performing arts in the country to preserve and promote the vast cultural heritage of India expressed in music, dance and drama.
The Sangeet Natak Akademi Fellowship, also known as Akademi Ratna Sadasyata, is an Indian honour for the performing arts presented by Sangeet Natak Akademi. [1] It is "the most prestigious and rare honour" conferred by the Akademi and is "restricted to 40 individuals at any given time".
Sangeet Natak Akademi Award (IAST: Saṅgīta Nāṭaka Akādamī Puraskāra), also known as the Akademi Puraskar, [1] is an award given by the Sangeet Natak Akademi, India's National Academy of Music, Dance & Drama.
Sangeet Natak Akademi Tagore Ratna and Sangeet Natak Akademi Tagore Puraskar were performing arts awards given at special events organised by Sangeet Natak Akademi in Kolkata – Sangeet Natak Akademi Tagore Samman on 25 April 2012 [1] Chennai – Sangeet Natak Akademi Tagore Samman on 2 May 2012. [2] Sangeet Natak Akademi Tagore Ratna is ...
This category is for categorising the winners of the Sangeet Natak Akademi Award, an award from the Indian academy of performing arts. These academy awards are the highest national recognition given to Indian practicing artists.
Sangeet Natak Akademi — a notable performing arts school in Delhi. Subcategories. This category has the following 2 subcategories, out of 2 total. R.
After having received the Sangeet Natak Akademi Award at the age of 28, Birju Maharaj received India's second highest civilian honour, the Padma Vibhushan in 1986. Birju Maharaj retired in 1998, when retirement age was implemented at performing arts institutions as well [ 6 ] [ 11 ] thereafter he started his own Kathak and Indian fine arts ...
During her career, she was awarded with several recognitions, such as the Sangeet Natak Akademi Award, and the Kalidas Samman. [1] Rohini studied Kathak from Jaipur and Lucknow gharanas. [4] She created a large corpus of dance compositions, where she applied an analytical and innovative approach to abhinaya. [5]