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Hourglass is the fourteenth studio album by singer-songwriter James Taylor released in 1997. It was his first studio album in six years since 1991's New Moon Shine.It was a huge commercial success, reaching No. 9 on the Billboard 200, his first Top 10 album in sixteen years and also provided a big adult contemporary hit, "Little More Time With You".
The song starts with "I live on the west side, she lives on the east side of the street." [1] "Mecca," a city that most of the world is forbidden to visit, [2] [3] symbolizes her side of the street, as the girl's parents forbid the pair to become romantically involved because of their young age.
The reissue of Ride on Time also included a karaoke version and the live album Joy contains a live version of the song. Meanwhile, "Music Book" is taken from his studio album For You. It is said that this song was transcribed from a passage called "Music Book" that Minako Yoshida wrote down in her notebook. [1]
Top 10 Most Dangerous Christmas Songs To Drive To This Holiday Season. Frosty The Snowman. All I Want For Christmas Is You. Feliz Navidad. Santa Claus Is Comin’ To Town. Happy Xmas (War Is Over ...
Dangerous is a 1990 cover album by English guitarist Andy Taylor, who is most famous for his work in the band Duran Duran. It was a follow-up to his earlier solo album Thunder . To date, it was his most recent studio album although he released a new material in 1999, titled The Spanish Sessions EP , a collaborative album with Luke Morley ...
"Dangerous" is a song written and performed by British singer–songwriter Sarah Joyce, known by her stage name as Rumer, for her third studio album Into Colour (2014). It was released on 22 September 2014 and differs from most of her songs for its disco style and upbeat tone.
"Dangerous" is a song recorded by American country music singer Morgan Wallen. It was from his second studio album Dangerous: The Double Album . [ 1 ] The song was co-wrote by Wallen and Ernest Keith Smith , and produced by Joey Moi .
The reception of the album was generally positive. Pitchfork critic Jess Harvell praised the album, summarizing that "from Cartwright's reverent licks to Weiss' surprisingly sturdy vocals, Dangerous Game is a small, self-contained triumph, an understated comeback", and that "the sunny throwback simplicity of the music is what makes Dangerous Game great."