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The Self-portrait is commonly dated between 1504 and 1506. It measures 47.5 cm by 33 cm. It measures 47.5 cm by 33 cm. The portrait was noted in an inventory of the private collection of Duke Leopoldo de' Medici , completed in 1675, and later listed in the 1890 Uffizi inventory.
The Self-Portrait with a Friend (also known as Double Portrait and as Raphael and His Fencing Master [1]) is a painting by Italian High Renaissance painter Raphael. It dates to 1518–1520, [2] and is in the Louvre Museum of Paris, France. Whether the figure on the left is actually a self-portrait by Raphael is uncertain, [better source needed ...
60 x 40 c. 1518: Portrait of Lorenzo de' Medici, Duke of Urbino: Private collection Oil on canvas 97.2 × 79.4 c. 1518: Pope Leo X with Cardinals Giulio de' Medici and Luigi de' Rossi: Uffizi, Florence, Italy: Tempera on panel 155,5 x 119,5 c. 1518: The Pearl [5] Museo del Prado, Madrid, Spain Oil on panel 147,4 x 116 1518–1519: Self-portrait ...
Raphael probably didn't like his nose, and replaced it with an idealized version in his famous self-portrait. "He certainly made his nose look more refined," said Professor Mattia Falconi, a ...
Portrait of a Young Man, unknown master, 80.5 × 63.5 cm, private collection Berlin. [citation needed] Portrait of a Young Man is a painting by Raphael. It is often thought to be a self-portrait. During the Second World War the painting was stolen by the Nazis from Poland. Many historians regard it as the most important painting missing since ...
The image depicts three of the Graces of classical mythology. It is frequently asserted that Raphael was inspired in his painting by a ruined Roman marble statue displayed in the Piccolomini Library of the Siena Cathedral—19th-century art historian [Dan K] held that it was a not very skillful copy of that original—but other inspiration is possible, as the subject was a popular one in Italy.
[2] [3] Raphael included a self-portrait beside Ptolemy. Raphael is the second character who is looking directly at the viewer in the artwork, the first being Hypatia - the white robed figure who stands between Parmenides and Pythagoras.
Photographer Joseph Byron took the self-portrait to a new level with handheld cameras in 1909. SEE ALSO: New chance for sick Iranian boy after rescue picture As photography became more accessible ...
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