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The scroll in art is an element of ornament and graphic design featuring spirals and rolling incomplete circle motifs, some of which resemble the edge-on view of a book or document in scroll form, though many types are plant-scrolls, which loosely represent plant forms such as vines, with leaves or flowers attached. Scrollwork is a term for ...
The stage would also be a simple affair (many times even to the extent of being a rough and ready fixture), erected on four poles with a horizontal bar on which the scrolls could be displayed. A traditional Cheriyal scroll painting depicting the legends of the toddy tapper community. Circa 18th - 19th century. The scroll would flow like a film ...
The painters do not use pencil or charcoal for the preliminary drawings. They are so expert in the line that they simply draw directly with the brush either in light red or yellow. Then the colours are filled in. The final lines are drawn and the patta is given a lacquer coating to protect it from weather, thus making the painting glossy.
Typical early English strapwork of 1589, detail from the monument to Sir Gawen Carew in Exeter Cathedral French stucco, scrollwork and strapwork by Rosso Fiorentino in the Palace of Fontainebleau, 1530s. In the history of art and design, strapwork is the use of stylised representations in ornament of ribbon-like forms.
Early scrimshaw was done with sailing needles or other sharp implements, and the movement of the ship, as well as the skill of the artist, produced drawings of varying levels of detail and artistry. Typically, readily available pigments onboard a whaleship like candle black, soot, or tobacco juice were used to bring the etched design into view.
Hanging scrolls provide a vertical format to display art on walls. [3] [6] They are one of the most common types of scrolls for Chinese painting and calligraphy. [10]They are made in many different sizes and proportions. [5]
Christ at Rest, by Hans Holbein the Younger, 1519, a chiaroscuro drawing using pen, ink, and brush, washes, white heightening, on ochre prepared paper. The term chiaroscuro originated during the Renaissance as drawing on coloured paper, where the artist worked from the paper's base tone toward light using white gouache, and toward dark using ink, bodycolour or watercolour.
In a continuous-line drawing, the artist looks both at the subject and the paper, moving the medium over the paper, and creating a silhouette of the object. Like blind contour drawing, contour drawing is an artful experience that relies more on sensation than perception; it's important to be guided by instinct. [2]