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However, the story's emphasis on pronouns may render a regular reading more likely: × / × / × / × / × / Whilst her neglected child holds her in chase, (143.5) Similarly line 12's "kiss me" — which in most contexts would reverse the ictus to the tonic stress of "kiss" — might here retain a regular rhythm by implying contrastive accent ...
The poem does not have a deep, hidden, symbolic meaning. Rather, it is simply pleasurable to read, say, and hear. Critical terminology becomes useful when one attempts to account for why the language is pleasurable, and how Byron achieved this effect. The lines are not simply rhythmic: the rhythm is regular within a line, and is the same for ...
The poem is characterized by its use of the montage, a cinematic technique of quickly cutting from one scene to another in order to juxtapose disparate images, and its use of contemporary jazz modes like boogie-woogie, bop and bebop, both as subjects in the individual short poems and as a method of structuring and writing the poetry. [5]
Poetic rhythm is the flow of words within each meter and stanza to produce a rhythmic effect while emphasising specific parts of the poem. Repetition– Repetition often uses word associations to express ideas and emotions indirectly, emphasizing a point, confirming an idea, or describing a notion.
Stichic: a poem composed of lines of the same approximate meter and length, not broken into stanzas. Syllabic: a poem whose meter is determined by the total number of syllables per line, rather than the number of stresses. Tanka: a Japanese form of five lines with 5, 7, 5, 7, and 7 syllables—31 in all.
Nearly all the poems of Sappho and Alcaeus are composed in strophes (stanzas) of two, three, or four verses, in which at least one line would be different from the others. [10] The most common rhythm is the glyconic (x x – ᴗ ᴗ – ᴗ x), but this could be expanded or varied in a number of ways.
In poetry cadence describes the rhythmic pacing of language to a resolution [2] and was a new idea in 1915 [3] used to describe the subtle rise and fall in the natural flow and pause of ordinary speech [4] where the strong and weak beats of speech fall into a natural order [5] restoring the audible quality to poetry as a spoken art. [6]
Robin Hood one day sees a cheerful young man dressed in red, singing and playing in the greenwood: it is Allan-a-Dale.The next day, he sees him again, dejected. He sends two of his Merry Men, Little John and Much the Miller's Son, to apprehend him.
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