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Hatching (French: hachure) is an artistic technique used to create tonal or shading effects by drawing (or painting or scribing) closely spaced parallel lines. When lines are placed at an angle to one another, it is called cross-hatching .
Pen and ink drawings often use hatching – groups of parallel lines. [28] Cross-hatching uses hatching in two or more different directions to create a darker tone. Broken hatching, or lines with intermittent breaks, form lighter tones – and controlling the density of the breaks achieves a gradation of tone.
[2] While he worked in a range of media, from gouache to oils, Finlay specialized in, and became famous for, detailed pen-and-ink drawings accomplished with abundant stippling, cross-hatching, and scratchboard techniques. Despite the very labor-intensive and time-consuming nature of his specialty, Finlay created more than 2600 works of graphic ...
Traditional pen-and-ink techniques such as stippling and cross-hatching can be used to create half-tones [38] or the illusion of form and volume. [39] Skillful integration of existing colors can create an illusion of colors which do not actually exist. [30]
Drawing is a means of making an image, illustration or graphic using any of a wide variety of tools and techniques available online and offline. It generally involves making marks on a surface by applying pressure from a tool, or moving a tool across a surface using dry media such as graphite pencils , pen and ink , inked brushes , wax color ...
Traditional pen-and-ink techniques such as stippling and cross-hatching can be used to create half-tones [47] or the illusion of form and volume. [48] For artists whose interests necessitate precision line-work, ballpoints are an obvious attraction; ballpoint pens allow for sharp lines not as effectively executed using a brush. [49]
2. This outline of a cross reminiscent of stained glass encompassed by rose thorns by kaizbeetattoos is such beautiful symbolism for what happened on the cross—both physically and metaphorically.
He also was a pioneer of the "dot and lozenge" technique, where dots are placed in the middle of lozenge-shaped spaces created by cross-hatching to further refine tonal shading. Hollstein credits 388 prints to him, with a further 574 by other printmakers after his designs. In his command of the burin, Goltzius is said to rival Dürer. [6]