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In Blackwater Woods is a free verse poem written by Mary Oliver (1935–2019). The poem was first published in 1983 in her collection American Primitive, which won the 1984 Pulitzer Prize. [1] The poem, like much of Oliver's work, uses imagery of nature to make a statement about human experience. [2]
The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important English-language poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line [ A ] poem first appeared in the United Kingdom in the October issue of Eliot's magazine The Criterion and in the United States in the November ...
This dynamic creates a relationship between the reader and the poem of almost equal parts, inviting the reader to "join in the act of creation" by synthesizing an individual meaning on the part of the reader within the world of the poem. [6] This experience of living in the imagery of the poem, of stepping into the root cellar and contemplating ...
The poem was published in the October 1796 Monthly Magazine, [22] under the title Reflections on Entering into Active Life. A poem Which Affects Not to be Poetry. [23] Reflections was included in Coleridge's 28 October 1797 collection of poems and the anthologies that followed. [22] The themes of Reflections are similar to those of The Eolian Harp.
When the Poet reaches the "obscurest chasm," his last sight is of the moon. As that image fades from the Poet's mind, he has finally attained transcendence to the supernatural world. The journey to the very source of nature led, finally, to an immanence within nature's very structure and to a world free of decay and change.
The poem's final line has been hailed as one of the greatest lines in modern poetry. [2] [1] [3] [6] Although there were degrees of polarization about the line's abrasiveness, it has been credited as influential in the development of deep image and modernist poetry. [11]
The poem consists of six untitled books, in dactylic hexameter.The first three books provide a fundamental account of being and nothingness, matter and space, the atoms and their movement, the infinity of the universe both as regards time and space, the regularity of reproduction (no prodigies, everything in its proper habitat), the nature of mind (animus, directing thought) and spirit (anima ...
Book 1 consists of 38 poems. The opening sequence of nine poems are all in a different metre, with a tenth metre appearing in 1.11. It has been suggested that poems 1.12–1.18 form a second parade, this time of allusions to or imitations of a variety of Greek lyric poets: Pindar in 1.12, Sappho in 1.13, Alcaeus in 1.14, Bacchylides in 1.15, Stesichorus in 1.16, Anacreon in 1.17, and Alcaeus ...